Entrapment

Connery and Zeta-Jones not only look great together, they work well together.

There's your intrigue. There's your romance. There's your x factor, by which I mean your willingness to give two appealing stars an incredible break throughout most of the major obstacles between them and a successful robbery.

With its featherweight premise, casually amoral heroes, and exotic locales, it conjures up an era (the '60s and '70s) when twisty, romantic heist pictures were routinely ground out as tax shelters.

This is one sexy and satisfyingly twisty dance.

A wildly expensive movie full of computers, nonsense and violence, a film where wit, romance, elegance -- everything -- is sacrificed on the altar of giganticism, cliche and over-the-top action.

The stars lack any sort of chemistry, which is too bad, since the script, by the always unreliable Ron Bass (with William Broyles), is intended as a romantic cat-and-mouse fantasy.

If it's a good heist movie you're after, there are surely better ways to go than with this limp caper.

If not for the sparks of the May-December romance between Sean Connery and Catherine Zeta-Jones, audiences might struggle to remember the bland and convoluted plot development of Entrapment, along with its almost devoid-of-interest action sequences.

In this film, an employee of an insurance company will seek to investigate and arrest a professional art thief without anyone knowing, however, that she's also a professional thief. The game of cat and mouse is very nice and gives this movie the pleasant adventure flavor, especially when we combine this with the sequences of the robberies, some of them so incredible that they stink the false (without this bothering us too much). Another nice point that helps keep the interest in the movie is the relative vagueness in which the movie keeps Gin's situation. Only in the end did we clearly see if she is a thief or invented all that to approach Mac and arrest him. In addition, the pair crosses with other dubious characters, whose connections also only clarify in the end. In spite of all this, its not a particularly deep film and doesn't have a very strong or solid story giving it basis. These basis is the action scenes and adventure/mystery atmosphere, and its around this that the script is developed, not the other way round. The film still has some romance but chemistry between Connery and Zeta Jones is virtually nil and romantic scenes aren't convincing. This doesn't bring any demerit to their sex-appeal, but there are some things that sound false and I think the mood of distrust was fundamental to discarding this attempt to do romance. The remaining cast is limited to what they have to do. The two main actors, combined, support the film successfully. So the end result is a good action/adventure film, with some mystery, charm and elegance, where the biggest absence is a solid story that builds on everything we're seeing on screen.

i said this is called entrapment.. Entrapment Entrapment is no genius heist movie that offers a lot to think about but it definitely offers some fun popcorn time with great twists and action and most importantly edgy characters.i said this is called entrapment.. Entrapment Entrapment is no genius heist movie that offers a lot to think about but it definitely offers some fun popcorn time with great twists and action and most importantly edgy characters.