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SummaryA wilful young man contends against his brother for the attention of their religious father while reconnecting with his estranged mother and falling for his brother's girlfriend.

Directed By:Elia Kazan

East of Eden

Metascore
Generally Favorable
72
User score
Generally Favorable
7.2
My Score
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Metascore
Generally Favorable
73% Positive
8 Reviews
27% Mixed
3 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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100
TV Guide Magazine
A powerful film whose influence can be seen in Hud and most other antihero films, East of Eden is masterfully directed by Kazan. All the principals give riveting performances, but it was Dean who emerged as an overnight sensation. Eden also features a quintessentially hardbitten performance from Van Fleet, who won an Oscar for her pains.
90
Variety
Powerfully somber dramatics have been captured from the pages of John Steinbeck's East of ed en and put on film by Elia Kazan. It is a tour de force for the director's penchant for hard-hitting forays with life.
User score
Generally Favorable
77% Positive
17 Ratings
9% Mixed
2 Ratings
14% Negative
3 Ratings
  • All Reviews
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Jul 24, 2021
10
Habibiehakim
It's not only James Dean but everybody's amazing performance that make East Of Eden incredible, it's a simple story but they make it more darker and it just way better than i expected to be, East Of Eden is a truly amazing film.
Mar 3, 2023
9
alejandro970
I don't know the original book that served as the basis, but I would like to say that this film was one of those that made James Dean a legend, in the role of a young man who struggles to find his place in a puritanical society and, especially, in the heart from his strict father and estranged mother. A classic that does not show the years.
90
Film Threat
Never in the history of movies was a film so absolutely enraptured by its subject than East of Eden is with Dean. The camera desperately records his every twist and turn of emotion as if preserving it were of the utmost importance.
70
Film Threat
Dean’s style of method acting and sheer charisma jumps off the screen (along with artful cinematography).
63
Slant Magazine
Even viewers who acknowledge Kazan’s lack of visual imagination usually concede that nobody got better performances out of actors, but this last vestige of his reputation is in real need of examination.
60
Time Out
As long-winded and bloated with biblical allegory as the original. That said, it's a film of great performances, atmospheric photography, and a sure sense of period and place (the California farmlands at the time of World War I).
50
The New York Times
In short, there is energy and intensity but little clarity and emotion in this film. It is like a great, green iceberg: mammoth and imposing but very cold.
See All 11 Critic Reviews
Mar 21, 2021
8
FraJer212
Great movie that I enjoyed, a matter of pop culture because of Steinbeck and Dean. Acting is on point, story satisfiable, although left ambiguous.
Sep 23, 2024
3
drqshadow
Maybe I shouldn't have read the book immediately before diving into this big-screen adaptation. Even still, I'm quite sure I wouldn't have cared for it. Elia Kazan's altered, stripped-down take on John Steinbeck's classic tome discards several crucial characters, corrupts a few more, pointlessly changes themes and completely misses the point of its source material. Lee and Samuel, the novel's two most enduring, intriguing moral anchors, are completely excluded from the cinematic take, and in their absence the remaining cast seems to move without a firm direction, lashing out and contradicting themselves. It's shocking, how few genuinely likable characters remain in the finished film. Cal, deeply conflicted but relatable in the novel, is repurposed into a brooding, reckless, self-pitying brat in a barely-contained turn by James Dean. Aron, his naïve, virtuous twin brother, becomes a sanctimonious, temperamental jerk whose sudden collapse musters little sympathy. Their father, who always meant well, despite his struggles with a bitter past, is now a two-dimensional hypocrite without depth. It's not the first time I've seen a movie divert so wildly from its roots, but it's a particularly bad example of doing so without just cause. The production does deserve credit for experimentation, although even those fruits are a mixed bag. Stutters and stumbles are left in the dialogue, which lends an unusual sense of spontaneity and honesty, but also accentuates Dean as a very awkward, rough-edged actor, not quite ready for the spotlight. Frequently ambitious camera angles scratch a creative itch, but distract from the important plot developments proceeding within. The entire film is like this, brimming like a potful of ideas, half-cooked and then served as a chewy, unrewarding finished product. In essence, it's a bit of a phantom, bearing the ghost **** premise but lacking in substance and heart. Threads are weakly pursued and then abandoned. Resolutions, if and when we get them, pack very little emotional punch. I expected much more. What an underachievement.
See All 4 User Reviews
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  • Warner Bros.
Apr 10, 1955
1 h 58 m
PG
Of what a girl did . . . what a boy did ... of ecstasy and revenge!
Academy Awards, USA
• 1 Win & 4 Nominations
Golden Globes, USA
• 2 Wins & 2 Nominations
BAFTA Awards
• 3 Nominations
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