Bunraku

Insular and indulgent as it is, though, the movie is never less than a visual treat.

Bunraku aspires to be "Kill Bill: Vol 3"; it's more like an ornate pitch for a "Dick Tracy" reboot.

Moshe, who wrote and directed, creates a boldly Expressionistic alternate reality to background this heavy-on-the-action story, but neglects narrative and character beyond the most basic strokes.

Everything feels secondhand in Guy Moshe's Bunraku, a potpourri of genres that ends up a morass of clichés.

It's a picture that's akin to a terrarium of plastic flowers -- gaudily decorative, but airless and lifeless.

It should surprise no one that visually quirky, graphic-novelish, pulp-noir action flicks rarely come through the sausage machine intact.

Extremely cool-looking in the manner of "Sin City,'' but clumsily staged, slackly acted and mind-numbingly dull, Israeli director Guy Moshe's English-language fantasy is set in a future when guns, and apparently coherent conversations, have been outlawed.

Muy chévere, le falta una segunda parte para seguir disfrutando de la historia

This is what we call movies nice cast nice editing Can’t wait for more action

[SPOILER ALERT: This review contains spoilers.]

amazing this movieI enjoyed it By watching Nominate everyone They watch this the film

I was a true believer in The Harrelson Principle: a steadfast conviction that Woody Harrelson's presence in a movie's cast list was enough to indicate that it was -at the least- worth watching. This bloated turd of a movie has rendered the Harrelson Principle void. I beg you, do not watch Bunraku when there are so many good things you could be doing with your time and money. Seriously: the worst movie i have seen this year.