Critic Reviews

Stone had the right instincts about the part — she inhabits Senna beautifully, and her performance anchors the light-as-air All I Wish. It's the perfect role for her to sink her teeth into, sexy and fun, but she brings a sense of real intelligence and soulfulness to the character. That's true star power.

Stone had the right instincts about the part — she inhabits Senna beautifully, and her performance anchors the light-as-air All I Wish. It's the perfect role for her to sink her teeth into, sexy and fun, but she brings a sense of real intelligence and soulfulness to the character. That's true star power.

It’s left to Stone to prop up the whole scented-tissue affair, and that she cheerfully does, with a calm, centered force of personality that lends credibility even to the most raggedly developed aspects of her character.

All I Wish is inoffensive, mostly painless, and only occasionally grating. It is also, however, derivative, confusing, and largely pointless.

Only the luminous presence of Sharon Stone, delivering one of the most charming performances in her career, manages to rescue the otherwise hopelessly awkward proceedings that make you wish that All I Wish had been better.

The film almost works as a love letter to a seemingly ageless, bikini-clad Stone who invests her character with endless energy and enthusiasm. If she is engaged in a losing battle with the lack of originality or spark in the material, then nobody seems to have told her.

Both sartorially and cinematically, the seasoned star at the heart of All I Wish deserves a movie with more to offer than knockoff style.

The jump-skip format renders the chemistry between Senna and Adam so incoherent that by the time you watch them have their big first kiss, then break up, then get back together again, it plays less like a real movie and instead one of those memory slideshows your iPhone photo album generates for you.

Writer-director Susan Walter's film seems almost determined to disprove the causality of social phenomena.