Joshua Encinias

This feels like the final public statement from Wilson: he’s only here to vibe, cry, and spend time with his family. Music is part of his life as he still performs, but it’s not his highest aim anymore. Love and mercy is what Brian needs in his twilight years, and it seems like he has it. May his heart be full of spring.

What’s tender in the film is tinged with sadness. Documentary footage of Iván and Gerardo is in harmony with absorbing performances by Armando Espitia and Christian Vasquez. And these disparate pieces under different leadership wouldn’t come together as masterfully if not for Heidi Ewing’s exceptional vision.

Chris McKim’s documentary is an amalgamation of everything David Wojnarowicz leaves behind to inspire rebellion beyond the grave.

An equal parts terrifying, thrilling, and satirical look at how social media can warp the mind.

What the documentary overlooks, or mythologizes, only hurts the historical record of positive trans representation.

Welcome to Chechnya is certainly an empathetic look at a harrowing struggle, but the necessary secretive nature of every element in the making of this documentary can at times leave one feeling disconnected from what’s happening.

A plodding, almost trite narrative that seems engineered for Netflix viewing habits; you can ignore for a few minutes and pick back up without missing a beat.

Here’s a rare sequel that matches the original by narrowing its focus. Instead of adding to the Supers’ milieu, its animators reveal new sides of the beloved family.