Jim Vejvoda

The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.

Pressure is quality dad content. War movie fans and WWII buffs should appreciate the film’s devotion to detail, while mainstream audiences will be treated to a taut, compelling story about the very real men behind the icons who ensured an Allied victory. Brendan Fraser makes Eisenhower flesh and blood, while Andrew Scott adds another whipsmart protagonist to his filmography with his nuanced portrayal of meteorologist James Stagg.

The Sheep Detectives is a very sweet, and often quite moving, family comedy about grief and death. I know that sounds weird, but director Kyle Balda and screenwriter Craig Mazin are mostly successful at threading that needle, with the broad humor of some of the human characters being the film’s weakest aspect. The sheep characters Lily and Sebastian have compelling arcs that highlight the movie’s themes of acceptance and growth. As dark as the story can sometimes get, there’s still enough warmth and wit to make The Sheep Detectives appropriate for younger audiences.

EPiC: Elvis Presley in Concert is a riveting, immersive experience that brings the King back to life for one last show.

Springsteen: Deliver Me From Nowhere is small in scope and lacks stakes-heavy drama as far as showbiz biopics go, but as a character study of an artist trying to find his true self before the world of celebrity engulfs them, Scott Cooper’s film and Jeremy Allen White’s awards-worthy performance do The Boss justice.

Although its rapid pacing doesn't always allow for the dramatic moments to resonate for as long as they could, Baz Luhrmann's Elvis biopic is a heartfelt and moving tribute to the late rocker.

Director John Krasinski delivers that rare horror sequel that (almost) stands toe-to-toe with its predecessor.

While Soul offers food for thought and has heart, it’s never quite as funny, engrossing, or emotionally rewarding as Pixar’s best.

Francis Ford Coppola has tightened up and retweaked his final Godfather film, but the original's inherent flaws remain.

The New Mutants didn’t deserve to be locked away for years. It’s not some unwatchable mess but rather a perfectly fine, entertaining, if at times formulaic small-scale genre movie.