Audrey Fox

Although it initially seems slight, The Invite grows into exactly the kind of intelligent comedy that feels like a throwback to a bygone age of cinema.

With go-for-broke performances from the always compelling Christian Bale and Jessie Buckley, both of whom can be safely relied upon to bring the weird when asked, The Bride! is fun to watch, even if its narrative leaves something to be desired.

Mercy is not a good movie, with hackneyed dialogue and stock performances that, ironically, seem like they themselves could have been generated by AI. But worse than that, it's a movie that pushes insidious views about AI, law enforcement, and privacy laws under the guise of a brains-off action thriller.

Black Phone 2 hits, it hits – and that's the case pretty much as soon as they make it up into the mountains. With clever set pieces that utilize Ethan Hawke to his best advantage as an even more disturbing Freddy Krueger, Black Phone 2 ups the creepiness factor.

Jeremy Allen White, Jeremy Strong, and especially Stephen Graham do their level best, but they're let down by a bafflingly inept script and unimaginative filmmaking from Scott Cooper.

After the Hunt is a slog that wastes the talents of its stars on unlikeable characters in befuddling situations, rarely coming near a coherent plot point with any degree of competence.

A thoughtful meditation on love and grief, Hamnet features career-best performances from Paul Mescal and Jessie Buckley, and is Zhao's most intimate work to date.

It's difficult not to fall in love with all of the characters in the film, and its breezy sense of humor makes Eternity a veritable crowdpleaser.

Rental Family is a clear crowdpleaser with a sense of humor and charm that will make audiences fall in love with it — if they're willing to accept its unvarnished sentimentality, that is.

Its narrative structure keeps Weapons continually engaging, while its talented cast of actors brings depth to each character, making this one of the best horror films of the year.