Looper

Between weird changes to Bourdain's actual biography, an often clunky script, and a bizarre lack of attention to the art of cooking, this biopic doesn't even come close to capturing the essence of the deeply unique man that was Anthony Bourdain. "Tony" leaves behind a bitter taste, which is incredibly unfortunate ... because the late, great Bourdain deserves a better biopic.

This movie still shows there's plenty of life to the franchise when it comes to street-level stories.

This is a gorgeous work of animation that deserves to be seen on the big screen.

If you can, find the biggest screen to watch "The Odyssey" on and settle in for an epic journey; I was fortunate enough to experience the epic in 70mm IMAX as God and Nolan intended, and I was richly rewarded. Even with this massive visual scale, though, Nolan's message is concise and builds on what he communicated in "Oppenheimer" — only man can bring about man's ruin, and when powerful men don't consider the consequences of their actions, entire civilizations could ultimately fall. "The Odyssey" is a visual feast and undeniably outstanding achievement in filmmaking that cements Nolan as one of cinema's all-time greats, naysayers be damned.

It's one of the weaker Evil Dead movies, but placed next to all the other horror legacy sequels we've seen in recent years, it's the cream of the crop.

Although it initially seems slight, The Invite grows into exactly the kind of intelligent comedy that feels like a throwback to a bygone age of cinema.

Minions & Monsters is a big, bright, flashy cartoon meant to pacify children and manipulate their parents into purchasing merch, but within that framework, it houses so much genuine adoration for the art of cinema.

Jackass: Best and Last is the weakest in the franchise ("Bad Grandpa," you are no longer the worst), and only as funny as it is because it relies heavily on classic slapstick set pieces that haven't grown old. It's a shameless cash grab, but more shameless cash grabs should offer the amount of laughs this one does.

Milly Alcock is a great Supergirl, and it's a shame her take on the character — and the inspired idea to reimagine her as a Western drifter — isn't served by this underwhelming solo vehicle. It's the first sign that James Gunn's DC Universe will be every bit as ill-conceived as Zack Snyder's.

One of the reasons "Toy Story 2" is the best in the series is because every character gets a chance to shine. I trust these movies will remain good (and keep funding better original films like "Hoppers"). I'm not expecting "Toy Story 2"-level greatness from them again.