strawhashira

Deep Sahara desert terror that isn’t so serious in the light-hearted, fantasy adventure.

Savagely complex thrill ride delves into the very depths of the sci-fi thriller genre. The excitement lingering throughout this anxiety-inducing masterclass.

A 150 min richly directed suspense-fest with an unprecedented emotional and psychological focus towards the effectively built up characters.

Parasite raises the bar of filmmaking with spectacular writing and immersive audiences with stunning visual metaphorical architecture, into a familiar world of our own, sifting through the social selfishness of our society. Also throwing away the satire genre’s usual ways, transcending deeper into the world of grim, depressing black comedy that highlights the lack of brightness in our everyday struggles not with diseases, not with evil monsters, not with a lack of food and water supply, but out struggles with people. And the struggles of classes fitting into this world of deceit, lies and brutal honesty.

The fancy, but boring medieval drama that miserably fails to even achieve the premise’s goal of stretching-a-short-story-about-womanising-and-let’s-distract-the-audience-from-an-obviously-small-lazy-story-into-a-Michael Bay-length-movie-with-good-set-design-so-audiences-will-be-happy!

Forget body horror which was a bunch of people being turned into a centipede, this gruesome, anxiety inducing gore-fest has all you need to feast on and enjoy.

Raw was super awesome, but this? Not so much. Jumbling bizarre body horror ideas into a long mess and yes, **** a car, then reuniting with people is a film genre worthy of the Palme D’Or.

An undeniably brutal, but poor spinoff of horror, making it a disgracefully awful modern scare-show

A fun, action-packed thriller rollercoaster that doesn’t define horror, but delivers plenty of chills alongside a fast paced storyline. And of course a memorable twist.

The poorly written, awfull dull, CGI overwhelmed superhero opera, fails to retrieve any emotional impact from the packed theatres. The film that emotionally bland as well as putting in lots of nostalgia and commendable character development to the spider man saga, that is more than enough to draw in thousands of blinded Marvel fanatics and keeping them away from real cinema power.

Cinema is really dead. If marvel really tries to make mindless, dull action films like this to **** in audiences around the world, and these films really get higher rating than hereditary, it’s proof that people are stupid and movie quality is dying.

Audiences went into this with expectations of a blockbuster like the first. Little did they realise that this ambitious, poignant sequel was more than just the action scenes they preferred

The nuanced foreshadowing, immaculate writing and shockingly new chills that shook an uncertain horror audience.

The aggressively mediocre satire that loses itself in a tediously wrapped 2 hour salad. With nothing exciting or bold to offer in the monotony of the premise.

A immersive, breath-taking fantasy adventure that’s surely not what you expect

Suspenseful, horror masterclass coming from a possibly new king of horror. Ari Aster nails it!