Kelley does two things better than anyone else writing courtroom dramas on television. He exposes and unveils legal tactics in a detailed and inventive fashion, and he does so while creating and sustaining strong characterizations. [4 Mar 1997]

Blessed with Kelley's rich writing talent, "The Practice" zips along at a lively, "ER"-like pace. [4 Mar 1997]

Don't expect the new or revolutionary. There's nothing the least bit special about this ensemble drama, set at a barely-scraping-by Boston law firm, except that it's all done so well. [4 Mar 1997]

In spite of predictable story lines, it is crisp writing from Kelley that makes such a group seem approachable, almost lovable. [4 Mar 1997]

There isn't much that's not familiar. But Kelley usually targets his shows on characters and their character, which, as it turns out, enhances the emotional appeal in this new series of battles at the bar of justice. [4 Mar 1997]

Too earnest, talky and hackneyed. [4 Mar 1997]

Problematic. ... The captivating McDermott as a defense attorney needs tougher characters to bump up against if he is to struggle meaningfully with his inner self. [2 Mar 1997]