Hazbin Hotel

Season 2 looks to be another successful season of original, entertaining, thought-provoking animation and toe-tapping tunes from the brilliant brain of Vivienne Medrano.

Hazbin Hotel outperformed every expectation I had for the series. It builds wonderfully on the groundwork of the pilot and Helluva Boss, driving a truly unique story about redemption while laying out interwoven mysteries. The cast shines, bringing to life creator Vivienne Medrano’s world in something so special.

The results are not always perfect, but the songs are uniformly magnificent, and they smooth over some of the show's edges. In addition, everyone in the "Hazbin Hotel" voice cast is exceptional, and the animation of all these strange places and people is inventive, odd, and often endearing.

Each outlandish episode is filled with wicked wit and even busts out with a bit of song and dance. A revolving team of guest voices descend to these fiery pits of what will likely turn into a cult sensation.

In more than one way, Hazbin Hotel is teetering between something great and completely mishandling its core themes, depending on how several prominent storylines end. How the show follows up now will either make or break it.

The ambition and inventiveness Medrano brings to the series is commendable. Perhaps in the already greenlit second season, Hazbin will slow down and find its groove—that is, if viewers aren’t too put off by the firehose exposition of the first few episodes.

While “Hazbin Hotel” has the aesthetic accomplishment one would expect of a longtime animator given the chance to realize her vision, it’s less successful in translating the pilot’s big, abstract ideas into a legible world with a cogent tone.

I really, REALLY like it. One of the best musicals I’ve watched in a while with a unique and driven cast.

It had the petechial to be something great, but instead of being a show focused on the characters, and how they evolve over time, which is what I think they were trying to do, it just felt like they were on a speed run to get to that finally that we really only got to know like 3 characters, which **** because as I said it had the petechial to be great. I'm just disappointed. :(

Its funny at Times and I like a lot of designs but the story feels rushed and character's feel like they don't get a lot of depth

Very poor writing choices, a lot of very unlikable and annoying characters.

I personally used to be a big fan of the series during the pilot era of it, but now its **** it. Humor is a complete miss across the board, its just sex joke sex joke and every curse word ever, characters writing is overall super mid. musicals are excusable at times, but I feel 2 every episode is obnoxious. they wrote an SA victim absolutely terribly, also, it gets to a point where I feel like it sexualizes gay people constantly, also there is extreme plot holes, for example when charlie talks abt how angels can be hurt, Vaggie says 'i didnt even know that was possible"..Like you got your EYEBALL CUT OUT as an ANGEL wdym? and also charlie sings a song abt being in cannibal town, only for a few episodes later to say "Uh where are we never been here before". genuinely just a terrible show with a **** person running it too. Awful