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God Said No Image
Metascore
82

Universal acclaim - based on 7 Critic Reviews What's this?

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  • Summary: The second full-length studio release from Omar Apollo features a guest appearance by Mustafa and contributions by John Mayer and Pedro Pascal.
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Score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. What on the surface can feel like a lack of cohesion makes space for an eclectic, expansive sonic palette that constantly drifts between genres yet is anchored in his diaristic musings on finite romance.
  2. Jul 1, 2024
    80
    God Said No is an emotionally harrowing look inside the psyche of a musician wringing every drop of meaning from the old adage that great art comes from great pain. As a lyricist and vocalist, Apollo emerges as an artist not tortured, but transformed.
  3. Jul 22, 2024
    80
    There is a wealth of emotions in the material -- some of which is self-critical -- along with some abrupt changes in style, such as the transition from the scruffy ballad "Spite" to the speedy electro-disco track "Less of You," two of many highlights. Even so, there's a flow to God Said No that rewards start-to-finish play.
  4. Jul 1, 2024
    80
    With the success of his previous albums, Apollo could have easily stayed in the mainstream bedroom-pop genre, but the vulnerability and experimentation displayed on this album makes for an impressive, mature step forward in his career.
  5. 80
    Most of the new album sounds deliberately modest, verging on low-fi. Its tone suggests troubled thoughts and uncomfortable conversations, small-scale and introspective — seemingly private, not overtly theatrical. One model for “God Said No” is probably Frank Ocean’s 2016 “Blonde,” another heartbreak album awash in vulnerability; Apollo’s reedy tenor often resembles Ocean’s voice.
  6. Jul 15, 2024
    80
    ‘God Said No’ is profound and romantic, decadent and suave, and as ever, Omar is at the helm.
  7. Jul 10, 2024
    74
    God Said No stands apart from Apollo’s previous releases not only because of its genre experimentation and its stickier choruses, but for its willingness to get ugly.
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