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SummaryBased on the novel Les Liaisons Dangereuses, Valmont (Firth) seduces a young lady on a bet from his former lover.

Valmont

Metascore
55
User score
Generally Favorable
6.6
My Score
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Metascore
43% Positive
6 Reviews
36% Mixed
5 Reviews
21% Negative
3 Reviews
  • All Reviews
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  • Mixed Reviews
  • Negative Reviews
88
The Globe and Mail (Toronto)
Forman's treatment is another matter entirely - infinitely more subtle and, using the intrinsic bias of film, far more naturalistic. [18 Nov 1989]
88
Chicago Sun-Times
The Frears version is cerebral and claustrophobic, an exercise in sexual mindplay.
70
Los Angeles Times
But seductive as his surfaces are, Forman's tack doesn't hold for long. His changes have muted a great tale of betrayal by intelligence and he has blunted the malign inevitability of Laclos' story. [17 Nov 1989]
60
Empire
Making no secret of the fact that he has "freely adapted" the novel, writer Jean-Claude Carriere and Milos "Amadeus" Forman have come up with a visually mouthwatering epic treatment: beautiful, opulent, sumptuous.
50
Christian Science Monitor
Livelier, more absorbing, and generally better acted than "Dangerous Liaisons," which arrived a year ago. But it runs out of inspiration long before it runs out of plot twists, and we've seen the twists too many times before.
30
The New York Times
For every necessary touch that Valmont has reduced or dispensed with (the climactic duel scene, for instance), there is another, less vital moment that has been expanded.
20
Time
Valmont arrives stiffened by the elegant, inert formalism of Forman's direction, and chilled by Carriere's all too sober respect for his source and by their mutual determination to apply modern psychological understanding to the behavior of the principal figures.
See All 14 Critic Reviews
User score
Generally Favorable
59% Positive
10 Ratings
29% Mixed
5 Ratings
12% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Mar 22, 2011
6
CitizenCharlie
Another attempt to film Les Liaisons Dangereuses. Valmont was released just one year after Stephen Frears's Dangerous Liaisons, this time directed by Milos Forman. This was Forman's next film after Amadeus and even brings along Jeffrey Jones, Ian McNiece, and Vicent Schiavelli to you remind you just how good Amadeus was. Well, Valmont is no Amadeus. In fact, it is not even Dangerous Liaisons. The story is very similar. This time, a very young Colin Firth tries Valmont but unfortunately is compared to John Malkovich from the previous year's film. Firth is great, but Malkovich was Valmont. There is also a very young and new Annette Bening as Marquise de Merteuil and she definitely pales in comparison to Glenn Close's Marquise. Valmont is missing the bite and sting of the dialogue which this story is made for. The verbal sparring between Valmont and the Marquise should be dialogue the audience remembers afterwards for its cleverness, but this iteration lacks the tension and the smarts. Milos Forman could have easily used the same costumes and set design he used in Amadeus, but Valmont just seems lazy compared to that effort. For newcomers to this story, watch Dangerous Liaisons instead. Watch Cruel Intentions for a laugh if you want the next generation's attempt at it.
Oct 20, 2020
0
Broyax
Il s’agit -encore- d’une énième version des Liaisons dangereuses, pas moins chiante que les précédentes, hélas… Valmont est donc un jeune con qui veut se mettre sur le noeud toutes les poules qui passent et se retrouve accessoirement utilisé par Madame de Merteuil pour assouvir indirectement sa vengeance sur un amant indélicat… A chaque fois, je repense au fameux sketch des Inconnus, hilarant, « les liaisons vachement dangereuses » avec « JCVD » dans le rôle-titre… et du coup, je tombe de haut avec ce « Valmont » de Forman, Forman l’endormisseur endormi, sa mise en scène à deux de tension et l’ennui qu’il brasse et dispense à chaque minute de cette purge minable et interminable ! malgré l’intéressante et encore bien jolie Annette Bening, car en ce qui concerne le reste de la distribution, ils ou elles sont vraiment à chier ! Cette bouse à dormir debout avance donc comme un escargot en côte en plein rétrogradage : c’est génial comme remède imparable à l’insomnie (gardez-le de côté juste au cas où) mais comme film, c’est vraiment à chier !
See All 2 User Reviews
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  • Renn Productions
  • Timothy Burrill Productions
Nov 17, 1989
2 h 17 m
R
As unpredictable as love itself.
Academy Awards, USA
• 1 Nomination
César Awards, France
• 2 Wins & 4 Nominations
London Critics Circle Film Awards
• 1 Win & 1 Nomination
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