Real Genius

Real Genius is great, the freshest, most insouciant Hollywood inspiration since Risky Business. Director Martha Coolidge was handed a fleet cast and a well- oiled screenplay and she plumb took off. The darn thing works so well it fairly sings. [12 Aug 1985]

It's a brisk, smart satirical comedy from the writers of "Police Academy" and the director of "Valley Girl," set in a Caltech-like institution for the whiz kids of the sciences. How refreshing it is to see young people depicted as having a capacity for thought as well as emotion.

Real Genius contains many pleasures, but one of the best is its conviction that the American campus contains life as we know it.

What lifts the production above the run-of-the-mill is swift direction by Martha Coolidge, who has a firm grasp over the manic material.

The humor is relentlessly cruel, smug, and disconnected from any sense of how human beings might behave in similar situations. But though she's hardly able to dominate the project, director Martha Coolidge does manage to insert some of the sweetly eccentric characterization that distinguished her Valley Girl: one of the heroes, played by Gabe Jarret, is actually believable and sympathetic as a socially insecure adolescent, and a few of the minor figures are brought to life with deft, simple strokes. Though ultimately obnoxious, the film lingers in the mind for a few moments of genuine charm.

Many of the scenes, already badly written, fail to fulfill their screwball potential. Real Genius should be applauded as a higher class of passage movie. But despite its enthusiastic young cast and its many good intentions, it doesn't quite succeed. I guess there's a leak in the think tank. [9 Aug 1985, p.19]

While the characters are fairly offbeat and interesting, the film is weighed down by some tediously handled camp intrigue, political skullduggery, and $2 million worth of special effects.