Miracle

The real miracle of this film is in its performances and direction.

From its opening, there’s a distinct sense of unease shrouded over Miracle, the third feature written and directed by Romanian filmmaker Bogdan George Apetri.

Miracle is a thriller of deceptive simplicity and paralyzing jolts.

Framed by scenes of weeping, the narrative does not entirely pull itself into a satisfying arc, but the film nevertheless unfolds with dexterity and suspense.

Miracle is busy on the eye. As in a documentary, we follow the characters around from one task, whether grim or menial, to the next. Stand back, however, and Apetri’s careful patterning can be discerned.