SummaryA formally innovative feature film experience, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden in October 2004. These 50 different passionate perspectives shot from the point-of-view of the audience take the viewer deep inside the world of a live Beastie Boys show,... Read More
Directed By:Adam Yauch
Awesome; I Fuckin' Shot That!
Metascore
Generally Favorable
68
User score
Generally Unfavorable
3.3
My Score
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Metascore
Generally Favorable
68
73% Positive
16 Reviews
16 Reviews
23% Mixed
5 Reviews
5 Reviews
5% Negative
1 Review
1 Review
100
The Beastie Boys have delivered the ultimate gift to their fans and the title couldn't be more perfect.
75
It's raucous and loud as hell; the hyperactive editing could trigger grand mal seizures.
75
The result: a swirling, kaleidoscopic take on a familiar concept, and a raucous, you-are-there atmosphere.
70
Cutting to the beat of the Beasties' propulsive rap, Hörnblowér creates an experience that is simultaneously low-fi and state-of-the-art.
70
The sense of immediacy and excitement is contagious.
50
The film quickly ceases to be of interest to anyone but dedicated fans. The novelty of the deliberate ugliness wears off after a song or two.
25
For the most part, the film is a chaotic blur of disconnected movement that re-creates the feeling of an unforgettably bad concert experience.
User Reviews
User score
Generally Unfavorable
3.3
25% Positive
1 Rating
1 Rating
25% Mixed
1 Rating
1 Rating
50% Negative
2 Ratings
2 Ratings
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