Zach Hollwedel

Barry Levinson's The Wizard of Lies is a fascinating, and in many ways horrifying glimpse into one of the most notorious thieves in American history.

Moss is stellar in the role, perfectly able to convey simultaneous resistance and forced acceptance of the bleak social structure. It's in the show's writing, though, that the true genius lies. There's not a single dull moment the whole series. Even when it starts to feel a little too close to home, it's impossible to look away.

Joining McShane and Whittle, such stars as Cloris Leachman, Peter Stormare, Emily Browning, Pablo Schreiber, and others contribute their immeasurable talents. They play their roles expertly, carrying the show's allure and mystery while humanizing their otherworldly characters.

A show that offers few laughs and just as much entertainment.

The Case of: JonBenét Ramsey takes a while to find its footing, but when it does, it's undeniably engaging, especially for true-crime enthusiast.

Neither particularly bad nor stellar, Madoff is a mildly entertaining, though far from impressive, miniseries with oversimplified depictions of white-collar thieves, bumbling to the point of cartoonish financial analysts, and fraud run rampant.

Every bit as gripping as this year's earlier docu-series hit, Making a Murderer is the anti-The Jinx.

It sounds a tried and true setup, but Master of None immediately breaks the mold, infusing the struggling actor formula with a touching helping of both heart and humor.

It's cheeky and lighthearted escapism perfect for unwinding on a Tuesday night.

It warrants a little suspension of disbelief, but Blindspot is a fun, entertaining, action-packed thriller perfect for a Monday night lineup.