Terry Jackson

It's one of the most textured dramas to hit TV in quite a while. [20 Jan 1998, p.C]

It's a confusing mess that defies even the most vivid imagination. [16 Sep 2001, p.21TV]

Television has rarely been so bold as to present a series like Wonderland, which is intelligently written and acted with conviction and passion. [30 March 2000, p.2E]

Unlike The Real World, Making The Band has far more hopeful, giddy moments where you can't help but root for these guys to make it. [24 March 2000, p.1E]

Fortunately, there's still a lot of substance. With help from some of the Homicide crew - Detective John Munch has a cameo - Fontana and Levinson give The Beat depth through interesting and often quirky subplots. [20 March 2000, p.1C]

Tucker, despite having Katey Sagal from "Married . . . With Children" as Aunt Claire, plays as a weak copy of Malcolm. [2 Oct 2000, p.1E]

What's missing is a soul, a reason to care what happens to the characters. Carter also fails to give viewers enough critical insights to fully understand the complex premise.[8 Oct 1999, p.1E]

Aside from the dismal possibility that Braugher's return to television could be a short one, should Gideon's Crossing fail, it would be a critical blow to shows that dare to be deep. [10 Oct 2000, p.2E]

With an attitude that is nine parts Northern Exposure and one part Twin Peaks, Maximum Bob qualifies as one of the best hourlong shows that ABC has uncorked since NYPD Blue. [4 Aug 1998, p.1C]

As science fiction, Roswell is passable entertainment, sort of a less-dark X-Files. It rises above that, however, through the relationship of Liz and Max. Appleby and Behr make their characters crackle with magnetic attraction. [6 Oct 1999, p.1E]