Charlie Mason

Daryl Dixon is by no means perfect. There are some murky motivations, eyebrow-raising coincidences, and here and there dialogue that is more mystifying than it can possibly have been intended to be. .... Despite my quibbles, I never got to an installment that made me reluctant to watch the one after it.

In short, unless you’re for some reason dying for a reinvention of the wheel, you’re gonna love this. It’s suspenseful, exciting, funny and scary as hell.

So, is Firefly Lane good? Alas, no. But is it entertaining? Kinda — and not even in a mean way. It’s an adequate time-passer till the shows for which you’re really jonesing are back on. There’s no more shame in indulging in it than there is in equating sex to ice cream.

Those of us who tune in to the other two shows in the franchise have already been here, seen this — and we’ve seen it done with greater artfulness, efficacy and urgency. Adding this third series to the rotation, even temporarily, feels more than a little bit like beating an undead horse.

Simply put, City of Angels isn’t merely good, it’s divine.

Harry is a classic romcom for both better and worse. ... But to quibble with Harry, when it sticks at least the first of its two landings and left even this hardhearted bastard misty-eyed, feels like the equivalent of saying that if love isn’t perfect, it isn’t worth it. It is worth it.

Mainly what you’ll be doing when you’ve finished your binge is trying to catch your breath (the finale is epic with a capital E, P, I and C), drying your eyes (it’ll also give you feels that you never even knew were feels) and wondering whether you’ll remain on the edge of your seat all the way until Season 4.

Showrunners Carly Mensch and Liz Flahive again manage to zigzag between the lowbrow silliness of the show-within-the-show and the higher-brow hijinks behind the scenes without giving the impression that the series has a split personality. ... Perhaps best of all, since Season 2 is so emotionally brutal, when we get a break that’s not of the heart variety, it doesn’t feel like a present, it feels earned.

The adults are as hilariously clueless as you’d dare hope, the kids fling zingers like they’ve been mainlining All About Eve, and the series’ unexpected heart actually answers the question, “What’s your damage?” In short, Heathers slays.

Once the RESET button is hit, it’s just Eric McCormack (Will), Debra Messing (Grace), Megan Mullally (Karen) and Sean Hayes (Jack), pros at the top of their game, absolutely killing it.