Salvader

played it three times back to back to back while waiting for Mass Effect Legendary Edition

ohhh my goodness. RAPTURE. ANDREW RYAN. THE PLOT TWIST. THE ATMOSPHERE. THE AUDIO LOGS. put this in my mouth.

I got this for $10 on sale. This should've been $100 on sale. Give my compliments to the chef (Ken Levine & whoever directed Bioshock 2).

takes ori 1 and makes it an rpg, but like not like too much of an rpg, just enough

I lowkey don't get the ending. Also the controls are janky as ****. Very atmospheric though.

this takes the typical open world structure, fine tunes it to perfection, removes all the bloat, and adds the crispiest combat + a beautiful stylized world

holy guacamole this thing is scary. I audibly yelped and jumped out of my seat a few times. mid last couple hours tho

scary baby fetus + vampire mommy + over the top action horror awesomeness = mouth foam

FEED ME THAT MASS EFFECT INTO MY MOUTH

liara t'soni is mommy

this is the bad boy of the mass effect games

the ambiguity of the brain's unreliable memory

my friend refuses to finish It Takes Two with me even though he liked this one

this is actually a near perfect end to the trilogy

the story and characters are hella boring but its not a bad game

pure giddy fun

half of this game is old frustrating level design but the other half is a genuinely fun fps

this game looks at wolfenstein: the new order and goes boom better graphics, boom better story, boom better gameplay

when has **** killing not been a blast

ABZUlutely fine

i played this game because of a lyric in a penelope scott song

this is a good game. but the story structure is waayyy more linear than the marketing made it out to be which unfortunately hurts it

ALAN WAKE IS MY DAD AND WHY DO THE TWO METAL SONGS IN THIS GAME SLAP SO HARD

this game came out of nowhere and decided to have some good ass writing

this game made me teary eyed and not just because I was trying not to blink

idc if the controls are janky as hell or that the stupid dog doesn't frickin listen to u half the time TRICO IS MY CHILD AND IF YOU TOUCH HIM I WILL KILL YOU

who tf let the campaign bang this hard

the art direction in the artful escape is what makes the artful escape art

controlling rats is actually my favorite video game mechanic

it's basically like every other open world game released in the last decade... and I did get bored enough of it halfway through that I had to put it down for a bit before going back to finish it... and oh my god why is every single story mission a massive exposition dump... but I still somehow liked it?

it's like almost there

SLICING THROUGH THOSE FRICKIN ROBOTS IS THE EPITOMY OF SATISFYING

surprisingly... it's almost on par to the first game

BRO THIS GAME IS SO FRICKIN STYLIZED unfortunately the parry button is wonky as hell BUT THE BOSS FIGHTS ARE SO FIRE except the moment to moment combat gets pretty repetitive BUT YOU'RE A SAMURAI

pretty good but mine had a bug so I couldn't roll the credits and had to watch the last ten minutes on youtube

we love to see two fire things packaged together

bro they literally combined absolute fire into one destination

this game was like ohh yeahhh imma be pretty frickin epic and 'twas

HOLY CRAP NON-FRICKIN-STOP ACTION FROM HEAD TO TOE AND THE FRICKIN TRAIN SEQUENCE AHHHHH

most mid uncharted game. like why do we spend 5 chapters in the middle of the game doing some random **** that doesn't even connect to the main story. still an 8

bro this cranks every available notch to 11

able to be like 80% uncharted even without nathan drake. also WE LOVE A GOOD TRAIN SEQUENCE

blud is able to be cute and relaxing while telling a story through gameplay

good ass narrative

the goat but crispier

like arkham but spiderman

dude they topped the first game in literally every way

like inside and limbo but not as good

now this is a survival horror

i like short puzzle games