CLeCrom

Impossible to emerge unscathed from this movie, a moment often unbearable. How could you have made a little girl play that? Overwhelming.

Seized in one minute, impossible to get off this emotional lift. A catharsis on a wire in a universe of unsaid. WTF!

Europe "welcomes" war refugees. Gallery of portraits in Tati-style sets, and a call to order, always in progress. Uplifting.

Drama **** in Georgia, country where dance is Nation. A fairly classic gay plot in the cinema, but poetry and dance. Sensitive.

Dazzling Björk in this indictment against the death sentence, in tight close-ups. This film is a UFO, musical without being.

80's actors meet the younger generation of Marvel and series for a huge "camp it up" under the patronage of Bond himself.

A hellish ice trip in a very (too?) Patriotic Norway, a ruthless hunt for ice with an unbearable scene. And it's real !!!

Less funny Tarantino, despite a big cast and an always incredible Brad Pitt. Ultra violent without really being. A big TV clip.

Clint Eastwood has aged a lot. Beyond his physique - forced - of little old man, more surprises, camera and music are foreseeable.

Let's pass on the bad guys all very bad and the good guys all very nice, Keira quickly cracks then stands in front of the govt. Predictable.

The American legend of the bad clown declined in the 80s. It's Stranger Things and more gore, casually we find incest.

The Lebanese powder keg: a match and pschitt, everything is set ablaze. All the history of the Cedar remarkably told around this "incident".

Beautiful costumes and sets for a film gifted to Mads M, excellent. It's Danish, but we can measure the breath of France everywhere.

OK, Ken always does too much and it's pretty predictable, but his films say so much about the social reality of the world. Indispensable bite.

Crazy Nippo. Adaptation of a play which must be very funny, the subject is also the modern Japanese family unit.

A good indep American road trip, but all over the birth of a new star: Charlie ****. My boy, make the right choices!

Scarface in the desert! Classic chicayas of traffickers, but the ethnological rendering of wayuus magnificently permeates every scene.

A big oedipus in space. Luxury supporting roles revolve around the star Brad Pitt, always so brilliant. These shrink scenes!

Impossible not to think Almodovar, this hint of madness in less. The important thing remains the call for tolerance. Camera ideas.

Never interested by the film, the story or the characters. The exoticism of China and no surprise. Madison Boney M.

Wow! A crazy scenario, characters more strong than the others, a crescendo from which we do not come out unscathed. It's Tarantinao!

Hardworking and academic, embodied by a bland duo of actors, there is only the Bentley to remember. And this delicious slut from K Scott-Thomas.

Val Kilmer on fire, the breakout exercise of the biopic marked by crazy moments on stage. Stone has never lived up to his name so well.

A poignant testimony to the carnage of Assad helped by the Russians on martyred Aleppo. Often unsustainable, but essential.

Old age, ****, and musicals, all in a boring 2.15 chatter with an Cassavetes and Rowlands attack. Dubitative.

Hot breaking news, the brutality of the Nixon-Trump system displayed in 2 hours. Nice balance between all the roles, and top screening of Sorkin.

On my MacBook, of course. All the film in the keynotes, the good idea, but soothing exchanges that end up annoying. What about the iPhone?

A "lick" script, splendid music, the old Sino-Korean antagonism, and yet I never got attached to the characters.

Small budget and French-style zombies, except Sarah episode, nothing is happening. Average for makeup.

The character of Matthias Schoenarts is fascinating, this kind of animal which obeys only his instincts. Loud soundtrack, and I like it.

A road movie-feel good movie combo that you get hooked on easily, even if it drips a bit too much at the end. I like Shia's new choices.