
Critic Reviews
Filter by season
Season Overview
Season Overview
73
Metascore
Generally Favorable
positive
12(63%)
mixed
7(37%)
negative
0(0%)
Showing 19 Critic Reviews
All Reviews
All Reviews
Metascore
Metascore
Feb 22, 2013
100
Moment after moment the drama deepens, the rich complexity of Ford's characters make themselves felt in all their strangeness and variety.
Feb 26, 2013
90
The unfolding of the Parade’s End narrative has been directed (by Susanna White) and written to challenge--sometimes too much so. While you always understand the connections among the characters on “Downton,” you have to piece them together yourself in Parade’s End.... It’s the kind of demanding storytelling that differentiates “The Wire” from most other crime series.
Feb 26, 2013
90
Parade's End must be taken on its own terms, because it is offering something rare and provocative: a poetically precise consideration of what it means to be caught out of time, clinging to the lip of one era or reaching desperately for a foothold in the other.
Feb 22, 2013
83
The disconnect between propriety and reality keeps the miniseries on constant edge. The entire cast is fine, but Hall steals the show.
Feb 22, 2013
80
The direction by Susanna White is subtle, except for a too-frequent visual pun of kaleidoscopic, prism-like refractions to help us see that the world at the moment of Parade’s End is splintering into pieces. Cumberbatch pulls off the stoic-to-shell-shocked expressions of Tietjens, Hall is masterful in a demanding role and Clemens is suited to playing the fresh young thing.
Feb 26, 2013
80
HBO’S new miniseries Parade’s End won’t stop the “Downton Abbey” DTs. But it can soothe the pain with wonderful visuals and superb performances by Benedict Cumberbatch, Rebecca Hall and Adelaide Clemens.
Feb 26, 2013
75
Parade's End is often sad and even grim, full of complicated personalities who are more fascinating than likable. But the miniseries is engrossing in its portrait of two people stuck in roles they need to cast aside, but somehow unable to make the break.
Feb 22, 2013
70
Stoppard's storytelling structure has an odd rhythm to it, and White's direction can be both majestically beautiful and transitionally jarring. But combined, their choices allow Parade's End to achieve an exquisiteness, a sense of high art.