
SummaryIn 1860s Ireland, Arthur Guinness (Anthony Boyle), Benjamin Guinness (Fionn O'Shea), Edward Guinness (Louis Partridge), and Anne Plunket (Emily Fairn) face many challenges with running the family business after their father dies in the Steven Knight drama series.
Created By:Steven Knight
House of Guinness
Season 1 Premiere:
Sep 25, 2025
Metascore
Generally Favorable
72
User score
Generally Favorable
6.6
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Metascore
Generally Favorable
70% Positive
14 Reviews
14 Reviews
30% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Sep 24, 2025
100
It’s 19th-century Dublin’s answer to Succession. .... For Steven Knight, a career peak.
Sep 25, 2025
80
The first episode of House Of Guinness shows more than tells, and that’s because of Steven Knight’s expert skills in making his characters vibrant right out of the gate.
User score
Generally Favorable
70% Positive
28 Ratings
28 Ratings
18% Mixed
7 Ratings
7 Ratings
13% Negative
5 Ratings
5 Ratings
Feb 5, 2026
8
House of Guinness is an ambitious and often riveting series, one that clearly aims for prestige through its measured pacing and thematic weight. The storytelling is deliberate—sometimes to its own detriment—occasionally lingering so long on atmosphere and restraint that momentum threatens to stall. While the series trusts its audience, it doesn’t always reward that patience evenly, and certain character arcs feel more suggested than fully explored. That said, the performances largely carry the material. Nearly every actor brings a seriousness and depth that elevates what might otherwise feel overly familiar. Anthony Boyle, in particular, emerges as the show’s most compelling force. His performance is controlled yet volatile, marked by an intensity that gives the series much of its emotional gravity. Even in quieter moments, his presence sharpens the stakes, making him the undeniable standout. Where House of Guinness succeeds most is in its sense of place and tone. The world feels textured and intentional, and the conflicts—though sometimes restrained to a fault—remain grounded in human ambition and frailty. While not flawless, the series is thoughtful, well-acted, and clearly crafted with care. It’s a show worthy of admiration, even when its reach occasionally exceeds its grasp.
Dec 9, 2025
8
An interesting addition to the Netflix franchise. Season one is a great introduction to the characters and entertaining enough for viewers to want a second season.
Sep 25, 2025
80
Comparisons to Peaky Blinders are inevitable, but House of Guinness is a self-contained, captivating drama on its own merit.
Sep 25, 2025
70
Although well-acted and engaging, the show fails to pack the same explosive punch as the Cillian Murphy-starrer “Peaky Blinders” or even Knight’s Hulu series, “A Thousand Blows,” which premiered earlier this year. Still, it’s an engrossing enough saga that puts the lore and the myths of one of the Emerald Isle’s most famous dynasties front and center.
Sep 29, 2025
63
"House of Guinness" is always entertaining, but there's a hollowness to it that's hard to shake.
Sep 25, 2025
60
Peaky Blinders fans will appreciate Steven Knight’s latest historical delve for its stylistic continuity, but in story terms it feels like it has yet to really hit its stride.
Sep 25, 2025
40
It lacks the propulsive energy of A Thousand Blows and the brash humour of SAS: Rogue Heroes, to compare it to two of Knight’s recent historical efforts. And it seems unlikely that viewers will stick around for last orders.
Oct 2, 2025
8
House of Guinness unmistakably carries Steven Knight’s signature, and it’s clear in every frame that the same hand behind Peaky Blinders is at work here. The story dives into the Irish brewing dynasty with a mix of visual elegance, family tension, and an epic yet murky tone that hooks you right **** atmosphere is carefully crafted, both visually and sonically. The soundtrack is a standout: artists like Kneecap, Fontaines D.C., Flogging Molly, and The Murder Capital inject energy, identity, and a modern edge into a narrative that, without it, might risk feeling too traditional.James Norton delivers a magnetic performance, full of charisma and contradictions, while the supporting cast rises to the occasion. The show thrives on intense characters, sharp dialogue, and a tone that balances rawness with **** times, it leans too heavily on style and veers toward posing, but overall it works as a vibrant historical fresco with personality. It may not be as tight as Knight’s most famous creation, but House of Guinness leaves its mark and offers quality entertainment.
Oct 3, 2025
5
Hmm....when your 15min in watching the first episodeandtoubjear horrendous hoodlum music in the background when the mobs are fighting ina period **** know this show is and will be horse ****.
Sep 28, 2025
5
Like the story, absolutely hate the music and information brackets. The music sometimes feels like an annoying and unwanted intrusion in the story I am trying to follow, and takes me right out the 19th century setting it is trying to portray. The information brackets feels like I am being patronized. I do not need to know how much money such and such is worth today, I know inflation is a thing, thank you very much. Would be a 7 if not for those annoying elements. Fire whoever's decision it was to include those, it's exceedingly clumsily done.
Nov 13, 2025
4
While the visuals are done well, with some flair, the show very quickly becomes over saturated in what so many script writer's fail at: telling the audience instead of showing. There is a lot of unneeded dialogue, that mainly wants to spend 10 minutes hitting the watcher over the head with, "this is what this character is doing," instead of just showing it. The dialogue also feels stilted, and often seems unrealistic for the period the story takes place in, or even in today's world. I was very quickly bored while characters had some oh-so-clever back and forth repertoire, only to be relieved the next scene appeared, then appalled that we were thrown right back to the same characters cool-smoking cigarettes (that's where you try to act cool by puffing your cigarette with some witty one liner), going back and forth again, getting nowhere in the story. It is as if the writers really think something they come up with is super clever, so they turn up the back and forth "ah ha! I got you on that one!" between characters over and over again. The music? The soundtrack is wonderful, until it jarringly isn't. With traditional Irish music in the background, it seems fitting to the period piece. Except for some scenes, like a crowded mob fighting in the streets in the pilot, where the audience is shocked by rap music. This doesn't make the scene stylish, or artistic, or cool. It ruins an otherwise great period show that seems to have inspirations to be something **** of New York with more upper class characters thrown in, and a little more flair. Okay, give a little more, not rap-music, cool-smoking more. Overall, I don't get the positive reviews for this one. The visuals are done really well, the cinematography and costumes are so fun to watch. Some of the actors are terrific, however the dialogue and other campy elements that must have seemed stylish during the writer's room, just throw you out of the story. Especially when the music flips you over with a rap song. Isn't that like, America 1980's? It just doesn't work. The creators would have been better off with a straight on HBO John Adams sort of story telling, instead of so many characters winking (literally) like they just watched Darby O'Gill and The Little People.
Sep 28, 2025
0
Whoever did the music in this series should be fired. Literally ruins the show. The series ends on a cliffhanger. Something tells me we will never find out what happens. Not even remotely worth watching. Might have been an ok show if not for the absurdity of the characters and the absolutely horrible music choice.




























