Status

When it comes to expanding movies into (in this case) a seven-episode series, more can often be less.

Gadd proves he’s not a one-trick pony (or reindeer), but “Half Man” never entirely takes flight.

Another example of those semi-generic, too-teased-out streaming mysteries that have become plentiful.

Some “limited series” are better off left limited.

“Malcolm in the Middle” makes the most of a little.

On paper this AMC series looks like a timely satire of Silicon Valley excess, but like bad code, falters in the execution.

More lazy nihilism masquerading as coming-of-age insight.

Netflix can be forgiven for ordering up Dan Levy’s next project, despite the fact there’s no “there” there.

The big challenge for this horror series involves stretching out the “Why don’t you run away now?” vibe over eight episodes.

A pretty good snapshot of a business, like Valerie, that feels as if it’s desperately hanging on by its fingernails.