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The Yes Men Are Revolting

Critic Reviews

61
Metascore
Generally Favorable
positive
10(77%)
mixed
2(15%)
negative
1(8%)
Showing 13 Critic Reviews
Jun 7, 2015
75
Slant Magazine
The Yes Men show that while reality might get lost in this struggle, the truth does occasionally emerge from the chaos.
Jun 11, 2015
75
The Playlist
The Yes Men Are Revolting is an entertaining and interesting examination of the anxieties that make us question who we are and if we’re making a difference. But on the whole, this minor film is not nearly as imperative as the vital activism these guys have dedicated their lives to.
Jun 12, 2015
75
RogerEbert.com
Bichlbaum & Bonanno are naturally funny guys, which is great for character-building. But while they are activists before filmmakers, they are not established entertainers first. Maybe the sequel to this film will involve another test of their friendship when a comedy writer is added to the mix?
Jun 9, 2015
70
Village Voice
The Yes Men visit rural Uganda, Canadian oil fields, Zuccotti Park, and a climate change conference in Copenhagen, but in its best moments this loopy yet informative doc becomes a buddy movie.
Jun 11, 2015
70
The New York Times
The Yes Men Are Revolting, their third film, has a personal poignancy that is missing in the forerunners, “The Yes Men” (2003) and “The Yes Men Fix the World” (2009).
Jun 11, 2015
70
Salon
The great strength and great weakness of the Yes Men, not to put too fine a point on it, is that they’re a couple of dorks. Their props, costumes and supporting materials are invariably crude – but they are sincere and unafraid, or at least unafraid enough to brazen it out.
Jun 11, 2015
70
Variety
Another entertaining mix of agitpop, pranksterism and autobiography.
Jun 22, 2015
70
Los Angeles Times
The faux press conferences and perverse inventions (SurvivaBall, anyone?) that are included here highlight corporate greed and governmental shortsightedness as shrewdly as ever.
Jun 10, 2015
67
The A.V. Club
In a way, their continued ability to prank government agencies and the media speaks to how little they’ve achieved over the years, which becomes this third film’s subject.
Jun 18, 2015
63
Washington Post
Servin and Vamos clearly have a healthy sense of the absurd, which they use, like good satirists, to highlight hypocrisy, greed and corruption.
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