
SummaryThieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.
Directed By:Gordon Flemyng
Written By:Donald E. Westlake, Robert Sabaroff
The Split
Metascore
Mixed or Average
58
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Metascore
Mixed or Average
50% Positive
2 Reviews
2 Reviews
50% Mixed
2 Reviews
2 Reviews
0% Negative
0 Reviews
0 Reviews
70
That first hour, although it is not too well or tightly written, is extremely well directed, by Gordon Flemyng, with fine chases on the order of "Bullitt" and meaningful uses of the split screen when the credits are on.
63
The Split is the first Hollywood film to deliberately, overtly exploit black-white tensions in American society. On another level, it's a first-rate piece of entertainment.
60
Flemyng's direction is efficient if lacking in real flair, but Burnett Guffey's crisp camera-work, the taut plotting, and the generally high standard of the performances make for a pleasing, if undemanding modern noir thriller in the tradition of The Killing and The Asphalt Jungle.
50
Even the excellent supporting cast could not help this exploitative picture, a lame attempt at replicating the classic film noir pieces of the 1930s and 1940s.
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