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SummaryStar-crossed lovers (Lewis, Watson) are torn between unquestioning loyalty to the ties of tradition and the passion they share in this film set in 1990s Belfast, torn apart by years of religious conflict and IRA violence. (Universal)

Directed By:Jim Sheridan

The Boxer

Metascore
Generally Favorable
75
User score
Generally Favorable
7.4
My Score
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Metascore
Generally Favorable
84% Positive
16 Reviews
16% Mixed
3 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
100
San Francisco Chronicle
It's a tribute to Day-Lewis that he can play a character like Danny -- cautious, withdrawn, inarticulate -- and endow him an eloquence and grace that aren't dependent on language. Without him, The Boxer might still be a powerful tale of loyalty and love, with a core of moral complexity; with Day-Lewis in the lead, it approaches greatness.
83
Entertainment Weekly
Writer-director Jim Sheridan, co-screenwriter Terry George, and Sheridan's favorite actor (and Oscar winner for My Left Foot) Daniel Day-Lewis reunite in The Boxer with a mellower political message that translates, roughly, into ''Can't we all just get along?''
User score
Generally Favorable
79% Positive
19 Ratings
21% Mixed
5 Ratings
0% Negative
0 Ratings
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Feb 14, 2014
7
Spangle
Classic Daniel Day-Lewis. Every film I watch with him in it is made infinitely better because of his amazing performance. Literally, the guy never disappoints. As for the film itself, it was very enjoyable and riveting. It had a nice build-up to key, intense scenes and then a slight drop off, before another build up to an even more intense scene. It may be called "The Boxer", but as is made evident in the film, this one is about a lot more than boxing. If this and "In the Name of the Father" are any example, Jim Sheridan knows his way around a riveting film about the IRA and all of the things that come with that.
Dec 25, 2011
7
TTW107
I had to watch this for an Ireland Culture class and I was not looking forward to it at all. To my surprise this is a very gripping film. It really makes you think how screwed up Ireland was during the troubles and the hardships of life with so much violence and corruption in Northern Ireland. If you are looking to learn more about Ireland I highly recommend this movie.
80
Washington Post
If you view it passively, as a well-crafted melodrama set in danger among passionate antagonists, The Boxer is rewarding enough. If you attack it intellectually, you see the degree to which it is informed by ideas and realize the power of its argument.
75
Chicago Sun-Times
Although it seems to borrow the pattern of the traditional boxing movie, the boxer here is not the usual self-destructive character, but the center of maturity and balance in a community in turmoil.
70
Variety
Intelligently conceived and well- acted, this compact, straightforward drama about two ordinary people caught in the ongoing political crossfire packs enough punch to command audience interest, but won't light up critics or the B.O. to the extent achieved by the team's previous outings, "My Left Foot" and "In the Name of the Father."
63
The Globe and Mail (Toronto)
There is little chance for the movie's talented stars, Day Lewis and Emily Watson (Breaking the Waves) to establish and develop their characters, beyond their set-piece declarations of love.
50
San Francisco Examiner
Most disappointing is the fact that the movie ends so abruptly that you can't help wondering what the whole story amounts to, moving as it is.
See All 19 Critic Reviews
Apr 2, 2019
6
amheretojudge
A Love Punch. The Boxer Sheridan's sport drama isn't sporty at all. There is definitely hard work in here, but all the guns are aimed towards the aspiration of creating a big wallop of emotional drama that swoops in every political satire in this romantic tale. Now, as you can see, this is a culmination of multiple genre and unfortunately only romance soars above all. The reason being, an amazing lead cast, if Daniel Day Lewis is amiable to the tears of Emily Watson, then so is she to his gut wrenching punches. Combining it, they make one good cinematic couple facing and running away from their past. Fortunately, to cover in all the grounds, the film doesn't just focus on their perspective, the supporting characters too consume the screen time for the justification of their deeds. Take Brian Cox for instance, his character that never helms charge in the film up till the last act, may seem like your average set up of a pawn-like stereotypical antagonist with money and power in his hand. Another surprising package that keeps giving us is Emily's nuanced performance that gets in on the ring through practical insertions like a fearful mother and a wife and more importantly an adolescent lover that as a past haunts her. And in the end, it is all for the man himself, Daniel who is there in the ring himself, struggling and resisting his love towards Emily and a dodgy familiar arena that he adores and calls "home". Jim Sheridan, the co-writer and director, is often milking stuff, among this two hour of journey, there is somewhere a good one hour film that needed a better coaching. The Boxer is a hot headed fellow, easily swooned in and boiled up, unfortunately the makers couldn't manipulate it better to make it survive the 12th round.
See All 3 User Reviews
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  • Universal Pictures
  • Hell's Kitchen Films
  • Hell's Kitchen International
Dec 31, 1997
1 h 53 m
R
Love is always worth fighting for.
Golden Globes, USA
• 3 Nominations
Berlin International Film Festival
• 1 Win & 2 Nominations
Goya Awards
• 1 Win & 1 Nomination
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