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Taking Sides
SummaryA tale based on the life of Wilhelm Furtwängler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era.

Directed By:István Szabó

Written By:Ronald Harwood

Taking Sides

Metascore
Generally Favorable
61
User score
Mixed or Average
5.7
My Score
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Metascore
Generally Favorable
58% Positive
15 Reviews
35% Mixed
9 Reviews
8% Negative
2 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
91
Seattle Post-Intelligencer
After a somewhat shaky start, the film gradually settles in to become another extraordinarily powerful and explosively acted drama that deftly probes the moral responsibility of an artist in a totalitarian society.
80
The New York Times
Sparked by the actors' powerful performances, Arnold's moral absolutism and Furtwängler's lofty aestheticism make for a dramatically compelling clash.
75
Christian Science Monitor
Ronald Harwood's screenplay, based on his stage play, brings an impressive range of moral and political issues into play. The acting is also strong.
63
New York Post
A compelling look at a vexa tious question, Taking Sides is, at times, hamstrung by its own ambiguity.
60
New York Magazine (Vulture)
Taking Sides has a padded-out, stagebound quality that is anything but lyrical. And Szabó, a Hungarian best known for "Mephisto" and "Colonel Redl," is not at his best here.
50
TV Guide Magazine
Be sure to stay for the coda, a damning piece of newsreel that casts much of what went before in a whole new light.
25
San Francisco Chronicle
The movie's promise -- to provide a balanced argument -- goes unrealized, and all we're left with is the spectacle of an idiot bullying a genius.
See All 26 Critic Reviews
User score
Mixed or Average
33% Positive
2 Ratings
33% Mixed
2 Ratings
33% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 2, 2024
9
musician1
Terrific film. I actually saw it twice within a few years, enjoying it even more the second time.Superb acting, engrossing dialog and sublime music. Beethoven, Bruckner, but also American fetching music, with super sexy singing by Rinat Shaham, quite a surprise, as she is internationally known as an opera singer. Not a dull moment and lots of history .But whilst the contrast of world views of the protagonists is epic, one posing impossibly extreme moral demands and the other living in a spiritual, Art devoted musical world, it is difficult to reconcile the basically acceptable moral position of Major Arnold with his coarse and unmerited vulgar disrespect for an artist whose art the Major doesn’t care for and his prejudiced stance vis a vis the man who has yet to answer one single question seems so un-American. In short, Major Arnold is portrayed as an exultant Philistine and a complete, offensive jerk. Makes us Americans look bad, unnecessarily so. In what seems to be a weakness in the script, the numerous well documented instances of Furtwangler’s opposition to the regime and assistance to Jews at his own peril- he was threatened with being sent to a concentration camp- are not mentioned. The conclusion one must reach in Furtwangler’s case is that he was a very decent man navigating an impossible situation at an excruciating time. All this shows his nemesis in an even worse light.
See 1 User Review
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  • Paladin Production S.A.
  • Maecenas Film- und Fernseh GmbH
  • Studio Babelsberg
  • Little Big Bear Filmproduktion GmbH
  • Canal+
  • Enterprise Films
  • France 2 Cinéma
  • Jeremy Isaacs Productions Ltd.
  • MBP (Germany)
  • Satel Film
  • Spice Factory
  • TwanPix Ltd.
Sep 5, 2003
1 h 48 m
Mar del Plata International Film Festival
• 5 Wins & 6 Nominations
Flaiano Film Festival
• 2 Wins & 2 Nominations
Hungarian Film Critics Awards
• 1 Win & 1 Nomination
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