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SummaryAs Eyal finishes the traditional Jewish week of mourning for his late son, his wife Vicky urges him to return to their routine -- but just because the shiva has ended doesn’t mean it’s life as usual. Each coping in their own way, Eyal and Vicky both attempt to regain a sense of control over their future, as they struggle to discover that there ar... Read More

Directed By:Asaph Polonsky

Written By:Asaph Polonsky

One Week and a Day

Metascore
Generally Favorable
72
User score
Generally Favorable
7.3
My Score
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Metascore
Generally Favorable
73% Positive
8 Reviews
27% Mixed
3 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Apr 28, 2017
100
RogerEbert.com
In the long list of movies about death, this is one of the most original in recent memory, if for its emotional delicacy in sparing us hollow, tear-gushing grandiosity, and for its attitude on life: In most movies about grief, you are waiting for the characters to cry. This is a marvelous story about loss in which you are waiting for them to laugh.
Apr 28, 2017
88
TheWrap
One Week and a Day succeeds in recreating that precise feeling, as hard to articulate as it is commonly felt, where exhaustion wears down any line between emotions.
Apr 27, 2017
80
The Hollywood Reporter
The strength of Asaph Polonsky’s debut feature, One Week and a Day (Shavua Ve Yom), is that it’s actually a bittersweet comedy-drama in which the pain is as real as the frequent chuckles.
Apr 23, 2017
75
Slant Magazine
The film is a comedy that depicts the difficult period of transition from mourning back into normal life.
Apr 27, 2017
70
New York Magazine (Vulture)
The comedy in One Week and a Day comes from confusion, ineptitude, and alienation. It comes from people’s defenses being way, way down. It doesn’t cheapen the tragedy. It grounds it, sometimes in the mud.
Apr 28, 2017
58
The Playlist
One Week And A Day is at times a genuinely funny diversion amongst the Critic’s Week selection. However, a sentimental streak and a series of precocious narrative turns diminish the impact of the film.
Apr 27, 2017
50
The New York Times
It meanders from start to finish, searching for a tone that it never quite finds.
See All 11 Critic Reviews
User score
Generally Favorable
50% Positive
2 Ratings
50% Mixed
2 Ratings
0% Negative
0 Ratings
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Nov 4, 2017
7
LeZee
Losing the loved one and getting lost in the life. The plot says it is a serious subject, but the film was fun. Not fun as you would laugh out loud, though that's how the characters behaves. As seen the whole film, I thought it was similar to the 'Sweet Bean'. Not thematically, but the characteristically. They did not balance on that, because clearly that was not an intention. It's only I saw that, which should have been explored much better possible way. You might wonder what is that! Actually, it was three generations. A kid, a young man and a pretty close to be an old man. But it was that old man's tale. That's how it all begins and ends too. He had lost his son and now it is a week of mourning time. At the end of the formal, that's where our tale begins by avoiding the emotional parts. A good initiation. Seems he is approaching a different tactic to cope with the loss. Suddenly his behaviour has changed. Not being polite with everyone around him, particularly his neighbour couple with a reason. But their young son joins him, together they set to break the rules and do some crazy stuffs. At the last moment, a kid joins them and it all turns out their greatest day of adventure. All the fun has an ending, so how does it concludes was told with a little dramatic. ❝The fact that you can't see it does not mean it does not exist. You're just not open minded enough.❞ I have seen many films about coping with the deaths. Some of them were unique, some were not. This was a familiar one, except all the events were set in a different atmosphere, like culture and society. It is people's nature, tend to do opposite when they are not ready for it or forced to do. This father did not intentionally took that alternative route. It was a chain of events, he just sailed from one to another, only to realise where and how far he had come. More or less, like a self-discovery. Rediscovering the life to live for. Some time emotions take us to unexpected destinations. But once it was released, the reality eyes open, to look forward in the remaining life. So this film was not an ideal film for everybody who are in the same situation. But it gives a different opinion. I liked the actors, all the main ones. The music was so good. It was one of the main ingredients of the film, made everything look better. Particularly in the transition sections between the events and the characters. Don't remember what was my last Hebrew film, but it was a good one, had a nice time. The developments, how the plots were extended is not going to satisfy all who watches the film. Because some viewers might expect a totally fun, with or without logic. But some look for the value it teaches, morale, message et cetera. Frankly, this film was none of those. But it was also all of those with less highlighting them. Better than the average, and below the awesomeness, surely a worthy film that some people would find it good. 7/10
See 1 User Review
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  • Black Sheep Film Productions
  • Rabinovich Film Fund Cinema Project
  • Reshet TV
Apr 28, 2017
1 h 38 m
Awards of the Israeli Film Academy
• 1 Win & 7 Nominations
Jerusalem Film Festival
• 4 Wins & 4 Nominations
Cannes Film Festival
• 2 Wins & 4 Nominations
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