Ma Rainey's Black Bottom

It’s also a celebration of language — Wilson’s glorious storytelling is given its due by this masterful ensemble cast, who weave colorful tapestries with his words — and of music’s transformative power.

This wasn't as good as I was hoping. Viola Davis's screen presence was superb, however, but the rest of the picture was a drag. I didn't very much care for the long, dragged out scenes with all the yammering and bickering between the band members. It felt like the story was more about THEM than Ma Rainey. I didn't care for the ending either - how it just dropped off the way it did, and Viola should've had a bigger part. With a stronger script and more of Viola, this film would have scored much better with me.... but we got what we got!

When all the makings **** film are in place, one expects to see an outstanding picture. Unfortunately, that's not the case with "Ma Rainey's Black Bottom." While most of its ingredients are indeed noteworthy -- superb production values, stellar writing, and the positively exceptional performances by Chadwick Boseman (his final role), Viola Davis and Glynn Turman -- the components just don't mesh into a cohesive whole. Instead, viewers get an overly stagey production that consists of a series of insightful and eloquent soliloquies interspersed among occasional (though one might easily say far too few) musical numbers and meticulously orchestrated comic relief moments. Regrettably, the finished product feels more like parts of a story that got haphazardly glued together rather than a harmoniously blended composite, essentially a day in the life of the Mother of the Blues and the various individuals she interacted with on that day but not offering much depth about the relevance, meaning or legacy of those involvements. Consequently, despite the film's strengths, viewers are likely to come away from this offering wanting more than they get, and that's unfortunate, both for audiences and for Ma Rainey, both of whom definitely deserve better.

This was one of my highly anticipated films. With a cast lead by Viola Davis and the late Chadwick Boseman based on play by August Wilson, I was prepared for greatness but was disappointed. The main reasons this film didn’t succeed was due to the direction and screen adaption of the play. There were several films this year based on plays but Ma Rainey was the one that failed to translate to the screen. Boseman was engaging, he along with the band members were the most interesting part of the film. With no disrespect, Boseman’s performance felt stagey as if he was trying to convey a major scene by emoting louder and faster. I thought I accidentally missed Davis’ scenes because she was hardly in the film. I believe in quality over quantity but even with that consideration her role didn’t make a lasting impact I would expect from a leading role. And Davis’ lip syncing didn’t help her performance. I realize the sense of claustrophobia in the band room is to reflect society’s oppression but overall the film felt stunted and never fully realized.

I hate to speak ill of the dead but Chadwick is not good in this movie. He does alot of shouting and talking about racism but thats about it. Viola is actually very good when she shows up and i enjoyed the parts which involved her alot more. The production design looks like a cheap made for tv movie and the only good thing was the costumes.