SummaryA middle-aged slacker living in a rundown, graffiti-ridden slum, Daisato’s job involves being shocked by bolts of electricity that transform him into a stocky, stick-wielding giant several stories high who is entrusted with defending Japan from a host of bizarre monsters. But while his predecessors were national heroes, he is a pariah among the c... Read More
Directed By:Hitoshi Matsumoto
Written By:Hitoshi Matsumoto, Mitsuyoshi Takasu
Big Man Japan
Metascore
Generally Favorable
62
User score
Mixed or Average
5.3
My Score
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Metascore
Generally Favorable
62% Positive
8 Reviews
8 Reviews
31% Mixed
4 Reviews
4 Reviews
8% Negative
1 Review
1 Review
90
I hurt myself laughing at this amazingly inventive mockumentary, and because it's so good, I refuse to give away much more than an insistent recommendation.
88
Very funny in an insidious way.
80
The most impressive special effect here is Mr. Matsumoto's hilariously restrained performance, a tour de force of comedic concision in a movie bloated by increasingly surreal developments.
70
The film has slow sections that test the viewer's patience. But it also touches on themes of family, heroism and nationalism, and the finale, which has plenty of surprises and rewarding references for fans of the genre, is worth the wait.
50
At nearly two hours, Big Man Japan is clever (in a sick sort of way) but overlong. It needs judicious editing -- more mockumentary, fewer superhero antics.
40
When a movie is this strange, it's gotta count for something.
25
But the film written, directed and starring stand-up comic Hitoshi Matsumoto has, like most superheroes, a tragic flaw: It isn't funny.
User score
Mixed or Average
50% Positive
3 Ratings
3 Ratings
33% Mixed
2 Ratings
2 Ratings
17% Negative
1 Rating
1 Rating
Aug 30, 2024
6
Strangely paced, unflinchingly crazy and brow-furrowingly confusing, this is a tough movie to get a handle on. It's pseudo-documentary in the same style as Christopher Guest, but with less obvious comedic timing, more humble, unassuming characters and a hefty injection of pure, unabashed Japanese absurdity. The story's focal point is Masaru, a soft spoken middle-aged loser with a going-nowhere life and zero self confidence, who nonchalantly moonlights as the fifteen-story tall, nearly naked hero "Big Japanese Man." Despite saving the city from a series of rampaging monsters, public interest in his work has begun to wane and he struggles to make ends meet. Excruciatingly slow at points, it has a few interesting things to say about the longevity of a superhero's profession and the fickle nature of public favor, but much of that is lost beneath the burden of such a painfully dull lead character. Its dry, bizarre sense of humor hits the mark more often than not, and the CGI fight scenes make for quite the spectacle, but this really didn't need to be half as long as it is. Fans of Japanese-styled eccentricity will have a ball, although they'll have to wade through some arid terrain to get to the good stuff. I'm still trying to figure out what happened in the last scene.
Production Company:
- Realproducts
- Yoshimoto Kogyo Company
Release Date:May 15, 2009
Duration:1 h 53 m
Rating:PG-13
Awards
Cannes Film Festival
• 3 Nominations
Asian Film Awards
• 1 Nomination
Sitges - Catalonian International Film Festival
• 1 Nomination




























