Critic Reviews

Sachs’ A Space Program is a disarmingly delightful out-of-this-world trip.

In addition to being a funny, invigorating and inspirational ode to being the cleverest kid in the room, it’s a remarkable testament to the suspension of disbelief.

The result is something like the best science-fair project ever, an inviting performance piece that tasks viewers with the pleasurable, imaginative engagement that more seamless special effects deny.

It captures the imagination even if it’s a tad too dry at times.

As a tribute to NASA, A Space Program is rich in the core elements that have always propelled humanity’s flights of fancy: imagination and the right tools.

A resourceful dreamer needn't be alienated from fields of endeavor usually requiring years of training or unthinkable wealth. Imagination, seriousness and a small set of shop tools are sufficient.

It’s a singularly off-kilter vision of repurposed invention, though even at 72 minutes, the film struggles to keep itself afloat, its central conceit too slender to maintain its sense of mirth or wonder.

A Space Program may find cheeky humor in our quest for meaningful science. But it certainly hints that there's something worshipful in the details.

The film's larger purpose, be it about the ardor of handmade crafts or artist Tom Sachs's artistic ambitions, never emerges with any consistent focus.