Mary Kate Carr

Good Cop/Bad Cop (at least in the six episodes screened for critics) has no prestige shine nor dramatic grit. Instead, the series is light but sincere in its silliness, offering comfy doses of humor and heart as each mystery unfolds.

Bridgerton has lost its charm, at least in part because Newton lacks the charisma of his male-hero predecessors. The sex scenes don’t evoke the same thrill they once did—and maybe, looking back, that was more the thrill of something new, not Bridgerton actually being good at depicting sex.

In spite of any bumps along the way, One Day is overall a satisfying, swoon-worthy ride.