GoodMorningAss

Average game. For one pass. The graphics were pulled up, the plot is medium. No subtitles, sorry.

Average game. For one pass. The graphics were pulled up, the plot is medium. No subtitles, sorry.

The most linear part came out, nothing interesting. The graphics are extremely worthless

You can beat teenagers with interior items with impunity. You can burn down the house if you like. They deserve it - they don't like rock.

Great game, great graphics, great cyberpunka climat. I have lot of fun playing observer

Great game, great graphics, great cyberpunka climat. I have lot of fun playing observer

Not too bad, and not too good. Frequent bugs. And the function "toning shaders" is such a wild thing.

As a remaster - well, sorry, the multiplayer is empty. .

Having spent time in this game I have no regrets. Only one mission "not a word in Russian" is worth it. In 2020, due to these femmes and other rabble, there are either few or no such missions in games

A truly wonderful game, especially for 2010 .

This game will make you a speedrunner, whether you want it or not ... .

The implementation is great! Quite a lot of variability in the passage. Interesting story. Replay value, hidden achievements. All this is good! And apparently it is still far from the end. But still, the price tag is too high. RUR 1500 would be acceptable.

Oh ... you immediately feel a change in mentality. The supplement came out, action-packed, sometimes fascinating, sometimes backward (from the heart), but in general a weak narrative, starting from the same Artyom and Khlebnikov. And yes, poorly optimized. Sam's story I recommend, but be prepared for jambs.

the first part was just as unremarkable and the fact that the developers took a serious step and made a sequel is already a very bold step, but, unfortunately, not the most successful one. BUT, I liked the first part much more than Revolution. I remember there, but I didn't remember almost anything, only probably That's all, just one moment from the game, draw conclusions ... To buy - only at a very large discount, it is not worth a full price in any case. Pass - quickly, without any unnecessary captures and side quests, otherwise you will simply get tired, crazy.

Not a bad gameplay, the game for 2011 was not very relevant, but after 2014 and even more so now it looks very serious and causes dozens of deja-vu with real during the passage. The game still has multiplayer, and there is online for a comfortable game.

As for me, we got a worthy sequel, with even more variability and replayability. It is an extremely tightly knit product with almost no weak points. Therefore, I definitely recommend to get acquainted.

Very adult game, only those who have children can get into it. 9 out of 10 .

Let's not hide the intrigue and not repeat in large numbers. The game is gorgeous, its most juice is the atmosphere. The post-Apocalypse in the realities of Russia is elegantly implemented: colorful characters (appearance, speech, behavior), atmospheric locations in different areas of the "vast", with different local characteristics. The crew of our train worked well, but they need time to reveal (at the beginning of their appearance was stunned, compared to the faceless Spartans and Ullman). BUT the whole game I did not let go of a certain feeling, as if something is missing. And so the end of the game and the city of Novosibirsk gave me what I wanted! The atmosphere of despair and severe lack of time, constant failures of weapons, dark tunnels, pressing their vaults, hallucinations and "mysticism", as well as terrible mutants (and I'm not talking about kikimor and ghouls, but really creatures that cause FEAR, it seems the feeling was in the first part). That spirit at the end really got to my bones, that's what I wanted most. Incredible experience!

This game has the worst graphics of all and was not optimised for pc at all. Getting only 20-30 fps. Sometimes bushes and foilage aren’t processed at all instead of leaves are all boxy. Game has no story just racing like last 2-3 installments. Last game from nfs was worth buying was nfs run.

This game must be played slowly ... with passion, merging into the atmosphere of the game and the plot. If you only quickly run through the story missions, this game will leave you feeling incomplete, understated, as if you did not notice something important. Give this game a chance to reveal itself, and it will add to you, be sure.

i dont know if its just me, but i see people saying that the roster is good, but i think its garbage. what good does it make, putting one or two characters from 30 different shows? you see seya and shiryu, and you want at least the other two, right? i was very surprised with fly and yugi, but you cant even make a team with other guys from their manga/anime. its way more frustrating than appealing, imo. the fighting system and graphics are not the worst but neither are them really good. i dont know, i'm not really that fan of these japanese characters, but but i was expecting so much more from the game. oh, and the ""story mode" is just terrible, my god is it terrible.

Game for one evening. No more. Everything is scripted, there are no random situations. Average game. I can't say anything good or bad.

You can easily lose yourself there playing Metro, and you might as well lose your friends and relatives for that period of time... And thats okay it is the experience we've been waiting for since 2033 and the sequel is definitely worth it.

You can easily lose yourself there playing Metro, and you might as well lose your friends and relatives for that period of time... And thats okay it is the experience we've been waiting for since 2033 and the sequel is definitely worth it.

The theme of the Moscow Metro is revealed beautifully. The game is very atmospheric, diverse in gameplay, dynamic skirmishes with bandits at the stations are replaced by dark "tangled" tunnels, along the way we get acquainted with the far from sweet life of people in the post-apocalyptic world. I now, not even about the constant attacks of mutated monsters on human settlements, but about a simple everyday life in which people live in a room consisting of one bed and only, and the children play with all sorts of rubbish or hammers. Each character at the station has his own story behind his soul, his own thoughts, feelings. Gameplay: I liked the attitude of the developers to the details. I really feel how they emphasized realism. The weapon is interesting and original, not very much, and you can only carry 3 small arms and 2 missile weapons with you, plus a knuckle-knife. There is no automatic reloading, if the last cartridge in the clip went into the barrel, wait for the misfire. Ammo is always small. Another interesting point is the powder smoke from the shot that obscures the view, which makes it difficult to make a subsequent shot, and it's cool. All enemies wear helmets, and more than half also wear gas masks. Therefore, you can kill such with a single shot right on the neck, side or back. Well, or knocking down this helmet first. But then the enemies will sound the alarm. Sometimes they will let you shoot with an easel machine gun and a flamethrower, a pleasant trifle. As of 2014, I want to note the following advantages of the game: + Storey Line. Excellent, dynamic, moderately mysterious, storyline, on behalf of a person who lived his whole life underground in the subway. + Atmosphere. Metro and darkness. Apocalypse and hopelessness. Devastation and survival. + Gameplay. Skirmishes with human enemies are interesting. It is also possible to complete stealth levels. Enemies do not shine with a special variety, people, mutants. There is a certain variety in the methods of killing opponents. I really liked the use of cartridges as a currency. The presence of a limited duration of the gas mask. Powder smoke from a shot obscures the view. Dynamo machine for charging a flashlight and night vision device. + Artificial intelligence. Enemies are accurate, use cover, and throw Artem grenades. + Picture. Photographic, high-quality textures are pleasing to the eye. + Physics. Items in the game behave like in life. Mostly. And the overall picture is not spoiled. + Optimization is good. The game does not crash. But he eats resources extremely, and sags on the “qualifier”. Of the minuses are present: -The game is too short. -Linear. No freedom of action and side tasks. - A stupid save system based on individual save points. As a result, we get a pleasant, well-developed first-person shooter, with the possibility of repeated passage, to get an alternative ending and better assimilation of the plot. A game with a great atmosphere and an interesting plot.

The theme of the Moscow Metro is revealed beautifully. The game is very atmospheric, diverse in gameplay, dynamic skirmishes with bandits at the stations are replaced by dark "tangled" tunnels, along the way we get acquainted with the far from sweet life of people in the post-apocalyptic world. I now, not even about the constant attacks of mutated monsters on human settlements, but about a simple everyday life in which people live in a room consisting of one bed and only, and the children play with all sorts of rubbish or hammers. Each character at the station has his own story behind his soul, his own thoughts, feelings. Gameplay: I liked the attitude of the developers to the details. I really feel how they emphasized realism. The weapon is interesting and original, not very much, and you can only carry 3 small arms and 2 missile weapons with you, plus a knuckle-knife. There is no automatic reloading, if the last cartridge in the clip went into the barrel, wait for the misfire. Ammo is always small. Another interesting point is the powder smoke from the shot that obscures the view, which makes it difficult to make a subsequent shot, and it's cool. All enemies wear helmets, and more than half also wear gas masks. Therefore, you can kill such with a single shot right on the neck, side or back. Well, or knocking down this helmet first. But then the enemies will sound the alarm. Sometimes they will let you shoot with an easel machine gun and a flamethrower, a pleasant trifle. As of 2014, I want to note the following advantages of the game: + Storey Line. Excellent, dynamic, moderately mysterious, storyline, on behalf of a person who lived his whole life underground in the subway. + Atmosphere. Metro and darkness. Apocalypse and hopelessness. Devastation and survival. + Gameplay. Skirmishes with human enemies are interesting. It is also possible to complete stealth levels. Enemies do not shine with a special variety, people, mutants. There is a certain variety in the methods of killing opponents. I really liked the use of cartridges as a currency. The presence of a limited duration of the gas mask. Powder smoke from a shot obscures the view. Dynamo machine for charging a flashlight and night vision device. + Artificial intelligence. Enemies are accurate, use cover, and throw Artem grenades. + Picture. Photographic, high-quality textures are pleasing to the eye. + Physics. Items in the game behave like in life. Mostly. And the overall picture is not spoiled. + Optimization is good. The game does not crash. But he eats resources extremely, and sags on the “qualifier”. Of the minuses are present: -The game is too short. -Linear. No freedom of action and side tasks. - A stupid save system based on individual save points. As a result, we get a pleasant, well-developed first-person shooter, with the possibility of repeated passage, to get an alternative ending and better assimilation of the plot. A game with a great atmosphere and an interesting plot.

What can be done in this game: * Drink vodka and beer; * Be a super-tech nano-implanted cop and be afraid of men with pistols; * Live in the sewers; * Listen to jokes while sitting in the ventilation; * Make yourself a turret and arrange a duel with ordinary turrets; * Become invisible and run around the enemy to kill him morally with his own steps; * To clean the faces of women using different animations; * Throw machines with soda at opponents; * To be an iron armored man and die falling from 2 meters;

What can be done in this game: * Drink vodka and beer; * Be a super-tech nano-implanted cop and be afraid of men with pistols; * Live in the sewers; * Listen to jokes while sitting in the ventilation; * Make yourself a turret and arrange a duel with ordinary turrets; * Become invisible and run around the enemy to kill him morally with his own steps; * To clean the faces of women using different animations; * Throw machines with soda at opponents; * To be an iron armored man and die falling from 2 meters; The only negative: a very dull DLS in the middle of the game, which kills itself with its monotony.

totally agree with this comment: I really liked Doom 2016 and hoped this would be a solid sequel.. But no. - I don't need MMORPG-like cartoonish design. - I don't need infinitely respawning monsters. - I don't want you to limit my ammo this much, only to force me to use specific gameplay features. - I don't want to see those rainbow fountains of ammo all the time. - I don't need whole game consisting only of arena-like levels. - I don't need you to tell me which weapon is right to use. - I don't need tons of abilities with cooldowns in a shooter. - I don't need big shiny question marks on secrets and arcade-styled powerups. - I don't need this much platforming. - I don't want this weird way of storytelling. I simply don't get why we couldn't keep the formula of Doom 2016, where it was so satisfying to crush monsters' sculls. Where is it all gone? And where is all this storyline coming from? Why do we need this generic fantasy nonsense in a Doom game, what is it, Harry Potter fanfiction? And also why do I need to watch monsters fighting each other without taking any actual damage? Is it supposed to be funny? Thanks, but no, refund, I will rather play any other Doom game. This one is not just a bad Doom game, this is not even a shooter. This is First Person Mario-Dota-Slasher, a new kind of genre, which I defenitely do NOT like. And it is a shame they spoiled great Doom series with this awful game. PS. What those positive reviewers are even talking about - "resource management", "strategic thinking"? How about this strategy - "press E for ammo, press C for health", does it sound smart to you? Resource management existed in classic Doom games where you had actually to learn level to find hidden ammo, or otherwise you would just die, because there was no infinite farming. Modern mass-market "gamers" would just cry, I believe, so here you have doom eternal.

Everything is clear - before us is the same Plague inc. Choose a virus, modify (if there is anything) and go ahead to infect the world. The only thing, choosing a starting country, you can choose a specific region, where our infection will begin the victorious procession

In two words: the game is annoying! I've been familiar with the series for a long time, played three parts of the first game and can compare. Each subsequent game moves further away from the plot and more and more descends into a scripted problem generator. Whatever you do you can't avoid the following moments: 1. Approximately 70% of the game time is night. 2. Zombies appear around you within sight. And they are able to become very resistant, so that other undead can get to you quickly breaking records on the run. 3. Maximum stamina pumping can only take 3-4 swings with an ultralight axe. 4. the Members of your group are absolutely incapable of anything other than portraying terminally ill people. But as soon as you leave the base, they get a thirst for action. Being wounded, sick and tired, they arrange fights, periodically in one haryu devour food for the entire group, roll gasoline, etc. just because they are like this. Apparently, the developers consider this behavior normal during the zombie Apocalypse. 5. the Neighbors are also wonderful people. They refuse to join you because they are "strong and independent". But after five minutes, these figures will send you a message demanding immediate help. It is you, according to the developers, who should rush headlong to save "friends" who are wringing horse price tags for resources. 6. a Full tank of the SUV will last you for 15 minutes, of which 5 you will try to move off a tiny rock or even fly through half a map after hitting the most stunted zombie. 7. Why fix the bug with getting stuck in the examined box (in the box, Karl!) when can I do the "free skill" "I'm stuck!"? A stroke of genius, true professionals. And so in everything. Poor graphics, crooked physics, almost complete lack of plot, incredible "tolerastia" in social relationships on the verge of absurdity.

A very good game, I re-pass a couple of times a year. Nostalgia .

I support this comment: Hell. Yes. Your Grace. Ive been waiting for 5 years, and without disappointment, i can say one of the best pixel art game i have ever played. Rich story, Rich gameplay, plenty of choices. LOVE IT

Fairly made game. Disgusting graphics, optimization. Sluggish plot .

Trash. Nothing left of past games in the series. Nothing. Absolutely a waste of time.

So CodeMasters kept telling us they´ve listened to players feedback after the pile of crap Grid 2 was, and they were going to develop something to make a triumphal comeback to the driving genre... Well, alas Grid Autosport is not that promised mesias.

Tropico is one of the best urban simulation games. In this part, the graphics and the gameplay itself in general were finalized.

An interesting project. One could draw a parallel with l4d. There is nothing to do there without friends.

This may be for someone a "masterpiece" I have not mastered, too boring. The wait was a completely different project. The graphics and destruction are excellent.

I absolutely agree with the opinion of the majority of negative reviews, practically nothing has changed in this game, yes physics, behavior, but where is the updated career mode? in general, the game does not deserve a positive review. CONVEYOR ****

It’s clear that this is a good simulator, but we still need to work hard on it. There are minor flaws that are striking, I hope they correct.

Dishonored is easy to fall in love with. First of all, because of the setting. Torn by the plague, the Victorian city from Viktor Antonov (City-17, by the way, also his work) turned out to be one of the most terrible places I visited in video games. Flocks of rattles scuffle everywhere, eating decaying corpses scattered in the slums, consumptive cough is constantly heard from the gateway, and there is no cure for the approaching plague, and probably will not. In addition, at the very beginning of the game, hired killers deal with the empress right in front of the main character, Corvo Atano, the defender of Her Majesty, making him the main suspect. Corvo will have to get out of prison and avenge the offenders - both for himself and for the Empress. True, the serene love of Dishonored does not last long - problems begin. Alas, the re-release of Dishonored: Definitive Edition for PS4 and Xbox One on August 28, neatly absorbed all the same flaws that annoyed the original. First of all, it is worth noting how one convention, which Arkane Studios decided to stuff into the game beyond some trait, prevents the player from getting to the fullest. The fact is that in Dishonored does not encourage the killing of enemies: if you sow death to the right and left, then the plague will finally swallow Danwall. Therefore, you will not see a good ending. And it's a shame. Indeed, in theory, Dishonored is a stealth action that requires creative thinking; Arkane was able to cross the rich abilities of the hero and the complex design of the levels so that they happily coexist. Corvo knows how to quickly teleport to short distances, hiding in the shadows, turn enemies into dust, set swarms of hungry rats against enemies, and even move into other people's bodies. And this does not include bombs and mines! All Corvo abilities have a tactical application - primarily due to the excellent level design. Each location is fraught with many alternative ways - from branching at first dizzy. But as soon as you draw a plan in your head, the virtual overseer will hit on the fingers with a stick; Despite all the freedom, Dishonored tries to keep you on a short leash. Want to set a trap by laying a couple of mines? Climbed onto the ledge of the building and want to jump on the enemy, killing him in a jump? Or maybe you want to distract the patrol and send him a flock of rats to sneak unnoticed? Of course, all this can be cranked up, but the result of these actions will be disastrous not only for your enemies, but also for you - insidiousness will not lead to a positive ending to the game. In a word, most of the possibilities are simply not used. All that remains for you is to strangle and shoot with sleeping darts. Not a lot, but then you will see the correct ending. The second problem of Dishonored is the script, or rather its presentation. The narrative is too sketchy: there is a home location - an abandoned bar standing on the outskirts of the city, there we receive an order for the next victim, who may be involved in the attempt on the empress, and put forward on a mission. In the intervals between tasks, in fact, nothing interesting happens. Character types are too transparent - you won’t need much deduction to figure out whoever sets up Corvo the next minute. Corvo himself is always silent and does not express any emotions. At the same time, the Dishonored universe is perfectly designed. True, the scriptwriters decided to tell the most interesting through notes scattered across locations. So, you can find out the details of Danwall's economy, which is based on the sale of whale oil, or read about what is happening in neighboring cities. But the game does not have all of this.

The flip side of the coin is the story that happens. Passed, I liked it .

The killer of the empress solves the problems of her choice. A great addition to the ENT LEGENDARY GAME

A well-designed world, replayability, the consequences of choice, semantic load, all this and much more in this great legendary game!

one of the best games I've played is fantastic .

A disorderly game, where bugs,no traces of a lightsaber on the walls when you pass. No physics, terrible graphics.

+ Mechanics, sandbox, the implementation of shooting and movements, a huge number of unlockable perks, skills and abilities, weapons, craft, replay value + Smart opponents: running, jumping, bouncing off walls, tumbling, dodging bullets, using various abilities and types of weapons, acting in groups and individually, trying to get around behind + A large, open post-apocalyptic world (absolutely seamless!) With various locations: scorched lands, deserts, swamp swamps, mountains, overgrown jungle, canyons, dungeons, sewers, cities, bunkers, caves, dumps + Awesome post-apocalypse atmosphere with powerful cyber punk influence. Gorgeous graphics and elaboration of the environment, and of course incredibly beautiful sky-boxes + Many authentic characters, both plot and random, that tell interesting stories and give tasks, traders, mechanics, informants, cyber surgeons + An interesting, but unpretentious main plot with non-linear quests (for 8-12 hours of play), plus a huge number of audio recordings and diaries found around the world that detail the ENT games + Extensive and detailed world building. Each part of the location, whether it is an abandoned factory, or a village, a building, or a settlement, a trading city or an underground laboratory, a research station or base - everything in the game is hand-made, well-designed and never repeats. + A lot of vehicles, cars, buggies, motorcycles, boats, flying hover-bikes, tanks, with unique weapons. The main car of the protagonist, with a talking AI, and opening perks and weapons. + A huge number of various action events at locations, there is always something to do (for 45-70 hours of the game): story missions, side missions, random events, secret missions, boss bases, lair with mutants, shelters, puzzles, contracts, elimination targets, constantly changing convoys, columns, races, arena with battles, searching for arks, tablets, fallen rangers, chests, filtering, meteorites, eco-spheres, balloons + Very beautiful graphics, changing the time of day, sound, open world without downloads (in general) + Cheat mode. After completing the game, you can have fun, including various gameplay modifiers on the battlefield. + Developers have already announced a monthly updated end-game content, as well as two story DLC. + "New game +" mode with each new passage increases the level of prestige and complexity + Iron Man mode (permanent death) + Complexity "Ultra-Nightmare" Findings: If you are looking for some semblance of Fallout 4, S.T.A.L.K.E.R., or even Far Cry: New Dawn - pass by and don’t over-rank the game and developers. All the sandbox elements of the game are involved around one main and fundamental gameplay mechanics - SHOOTING, PERKOV and COMBO-ACTION, this is what the whole game has to do, and not something else. It is foolish to expect from this game that which it should not be by definition. If you like shooters (DooM, Quake, Bulletstorm, Painkiller, Crysis), as well as open sandbox worlds (Mad Max, Just Case 3, Red Faction Guerrilla, Mercenaries 2) - definitely for a purchase!

a good game, but it still needs to be finalized and modified, raw .

Not good, not bad. But specifically for me this game is not for me .