Daniel_Ahab

1° Episodio "Done Runnnig" = O começo do fim, começa lento mas interresante, com certeza essa temporada está indo para o caminho certo com a clem de volta como a protagonista e todos os pontos fortes de um jogo da telltale brilha nesse episodio, assim como todos os pontos negativos. Uma das melhores coisas que foram adicionadas nessa temporada é que você tem muito mas razões para rejogar os episodios, agora tem "colletables", conquista para outras formas de jogar, e claro você pode ir por rotas que você não foi. Agora os pontos negativos são novamente a manutenção e otimização e o controle da camera quando você corre é bem ruinzinho. Nota: 9 2º Episodio "Suffer the Children" = Esse episodio e mais lento que o primeiro so que mais interressante e com os melhores momentos de personagens ate agora, esse dá opções de escolha de falas mais interresantes que o outro episodio, onde esse episodio falha é no final, onde tem toda a ação do episodio, as escolhas que envolvem "Matar" dá GameOver ou não mata o personagem Nota: 8.8

Yesterday, I wanted to go to sleep at around midnight. Then I noticed day9 is streaming artifact, so I checked out his games. Mono blue, interesting (especially after watching lifecoach's youtube video describing blue as useless). Then I thought I'll just watch one more game. Then he went for a break. However Savjz was streaming as well, and at this point I probably have to admit, I adore the nordic english accent. I just melt whenever I hear it. So yeah... And even though he went 0-2, that second game was so freaking intense, I was literally sitting on the edge of my seat. Just watching some random game, not even a tournament. Now I am a **** zombie, but I can't wait to get home and watch some more artifact (have to survive 7 more days) in other words i like it

Well i did not ask for this, but we have it , and it is pretty good, i was worth my time and i liked it

War for Cybertron marks an evolution in the Transformers Video Game Series, a true work of originality and divine inspiration. Taking us back to the hallowed realms of Generation One Transformers, WfC's plot serves as a direct prequel to the original animated series, which I'm sure will make long-time fans **** in their limited edition Optimus Prime silk pyjamas, your standard fair, you

War for Cybertron marks an evolution in the Transformers Video Game Series, a true work of originality and divine inspiration. Taking us back to the hallowed realms of Generation One Transformers, WfC's plot serves as a direct prequel to the original animated series, which I'm sure will make long-time fans **** in their limited edition Optimus Prime silk pyjamas, your standard fair.

Though it doesn't exactly match the trials of Lee Everett from the first season, all of the episodes will leave you craving the next one, and each one is written so well that they will all leave you in emotion-altering suspense.

Though it doesn't exactly match the trials of Lee Everett from the first season, all of the episodes will leave you craving the next one, and each one is written so well that they will all leave you in emotion-altering suspense.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

I don’t have a clear sense of where the season as a whole aims to go just yet, but “Ties That Bind Part I” is one of Telltale’s strongest openers in recent memory. Scenes feel carefully constructed in their camera direction and editing, and Telltale avoids the pitfalls of its most egregious past issues — only one environmental exploration sequence temporarily slows things down — but for the most part the episode moves along at an exceptional clip. But that’s not just thanks to Part I’s style. Smart characterization and writing for Javi and his family, plus the return of Clementine, add weight to a largely unfamiliar but already engaging new frontier that I can’t wait to continue to explore.

The Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does. Metal Gear Solid 5: The Phantom Pain doesn’t just respect my intelligence as a player, it expects it of me, putting it in a league that few others **** Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does. Metal Gear Solid 5: The Phantom Pain doesn’t just respect my intelligence as a player, it expects it of me

The Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does.

The Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does. Metal Gear Solid 5: The Phantom Pain doesn’t just respect my intelligence as a player, it expects it of me, putting it in a league that few others occupy.

Fooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooda

As bloody always: The Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does. Metal Gear Solid 5: The Phantom Pain doesn’t just respect my intelligence as a player, it expects it of me, putting it in a league that few others occupy.

As Always: The Phantom Pain is the kind of game I thought would never exist - one where every minute gameplay detail has true purpose. Its lack of story focus is sure to be divisive for the Metal Gear faithful, but the resulting emphasis on my story, my tales of Espionage Action, easily make it my favorite in the series. There have certainly been sandbox action games that have given me a bigger world to roam, or more little icons to chase on my minimap, but none have pushed me to plan, adapt, and improvise the way this one does. Metal Gear Solid 5: The Phantom Pain doesn’t just respect my intelligence as a player, it expects it of me, putting it in a league that few others occupy.

This should be one of the first things anyone tries on a Vive. It's polished, free, inventive, and bright. And it's made by Valve. It's like Wii Sports when the Wii came out: a sampler of what we should be able to expect from the future of VR. Only better in every conceivable way. My only complaint is that there is not more of it.

The holy grail of world-building games, it’s argued, is a black box that lets players do as they like with minimal handholding. Pliability with just the right measure of accountability. Metal Gear Solid V: The Phantom Pain, a tactical stealth simulation wrapped in a colossal resource management puzzle inside a love letter to theatrical inscrutability, comes the closest of any game I’ve yet played to realizing that ideal. That probably sounds a little backwards if you’re hip to Hideo Kojima’s long running Metal Gear Solid series, which launched in 1987 on a Japanese computer platform. We laud Kojima for his contributions to stealth gaming’s grammar, but he’s also loved and, by some, lampooned, for bouts of indulgent auteurism. A self-professed cinephile (he told me in 2014 that he tries to watch a movie a day), he’s notorious for straining attention spans with marathon film-style interludes and epic denouements. His last numbered Metal Gear Solid game, Guns of the Patriots, holds two Guinness records, one for the longest cutscene in a game (27 minutes), another for the longest cutscene sequence (71 minutes). A fan-edited compendium of the latter’s combined non-interactive sequences clocks in at upwards of nine hours. So it feels a little weird to declare The Phantom Pain comparably cutscene-free. Oh they’re still here, as fascinating, offbeat and abstruse as ever, but restricted to momentary exposition instead of Homeric interruption. It’s like some other mirror-verse version of Kojima helmed production, suddenly obsessed with play-driven storytelling, while most of the grim narrative about the descent of a Melvillian mercenary trickles in through cassette tapes you can listen to at leisure, or ignore completely. Konami That turnabout pays dividends. We’re instead treated to a clandestine feast of open world prowling, an unparalleled tactical toybox staged in sprawling bulwarks bristling with eerily sentient enemies. You play as Big Boss, the grizzled, cyclopean soldier of fortune we spent so much of the series reviling, traumatized and left comatose by events in last year’s prologue and prolegomena, Metal Gear Solid: Ground Zeroes. The Phantom Pain is the revenge fantasy entrée transpiring nine years later, a grab-your-bootstraps offshore empire-building exercise and parallel slide into militaristic perdition by way of the Soviet-Afghan and Angolan (civil) wars circa 1984. It’s a Cold War paranoiac’s paradise.