It’s not only properly unsettling, making great use of darkness and sound, but also becomes a quietly poetic reflection on loss when you least expect it.
As has been the case with many a horror project she’s been a part of in the past, Samara Weaving’s guttural screams can cover a multitude of sins, but even her fully embodied performance and powers can’t save a movie that mistakes stilted recurrence for high-octane throwback.
Riley, proving himself to be a romantic just as he is a believer in revolution, clearly not only loves these boosters with hearts of gold, but anyone that is trying to make it all work for themselves and those around them.
The Gates' is constantly on the verge of getting better, sometimes on the verge of getting good, but it never quite gets there. It’s a missed opportunity for thrills, social commentary, humor and/or horror.
It’s a whole lot of pretty good and not a lot of amazing, but hey, remember how Tyriq Withers also starred in Him? No one can say they got the title wrong.
If you can accept the fact that it’s big, silly and brainless, and nowhere near as good as its obvious influences, and also that it’s shameless propaganda, it’s still possible to have a good time.
Good Boy is doggone exceptional when it comes to the powerhouse acting abilities of Graham and Boon, both of whom take on their roles to showcase opposite ends of the rehabilitation spectrum. But even with talent at the helm both in front of and behind the camera, Kosama’s disjointed thriller is predictable throughout and never reaches the emotionality it seeks from its audience.
While neither Tommy nor the film itself was ever likely to be immortal, the closing frames prove to be a fitting sendoff for him as well as his long, sad saga. For what could very well be the last time, he and Murphy burn bright.
Without much by way of variance, the film spins on and spins out, jumping from austere interiors in Mexico City to San Francisco and back again, putting forward a cogent political read that does little to flatter those looking for anything more.