You're Killing Me Susana

Sneider, who keeps the tone starkly unsentimental, manages to stay fairly neutral with the couple. Both characters are wildly flawed, and you can feel your sympathies shift during their knock-down, drag-out fights.

Gael García Bernal is the most charming of actors, and one of the pleasures of his satisfying You're Killing Me Susana is watching him display that quality in a decidedly subversive way.

Roberto Sneider's You're Killing Me Susana (Me estás matando Susana) is a culture-clash comedy in which the clash happens both onscreen and off.

It’s always fun to watch the charismatic Bernal.

[Roberto Sneider's] movie is erratic, jumpy (thanks to a needlessly affected editing style) and not entirely in control of its message.

Gael Garcia Bernal’s effortless magnetism is the complicating factor — and the only compelling one — in You’re Killing Me Susana.

Somewhere buried deep within You’re Killing Me Susana is a commentary on loutish manliness, and the way in which romances are inherently fraught with tensions between individual and shared desires. Unfortunately, such notions are drowned out by all manner of irritating shenanigans.