What We Leave Behind

Sosa, who shared cinematography duties with two other women, Judy Phu and Monica Wise, depicts a world of humble beauty, of sunrises and dogs and chickens and weed-strewn lots. With a measured pacing (the film was edited by co-writer Isidore Bethel), she has created a film that is more like an elegy than a simple chronicle of events.

Inviting us to sit a while in this world of tradition, What We Leave Behind offers a vision of a good death as well as one of a good life. The time will go by quickly enough, and they both matter.

What We Leave Behind insists upon power in stillness, and the poignancy in staying — and leaving.

If you’ve ever missed a beloved grandparent, the beautiful What We Leave Behind will hit home.

What We Leave Behind is about generations passing on their hard-earned wisdom. It offers an insider’s glimpse into our neighbor’s culture. Some may find its lack of emotional peaks – save for, perhaps, the ending – exasperating, while others may regard it as a well-edited and shot home movie. But look a little deeper. There’s real poetry here.