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SummaryIn Chicago of September 1936, a young con man seeks revenge for his murdered by teaming up with a master of the big con to win a fortune from a criminal banker.

Directed By:George Roy Hill

Written By:David S. Ward

The Sting

Metascore
must-see
83
User score
Universal Acclaim
8.2
My Score
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Metascore
71% Positive
12 Reviews
29% Mixed
5 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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  • Negative Reviews
100
Los Angeles Times
The Sting, that unalloyed delight...A pure entertainment film, it is impeccably crafted and well-deserving of its immense popularity.[25 Aug 1985, p.5]
100
The Telegraph
In an age when films such as Guy Ritchie's Lock, Stock and Two Smoking Barrels and Steven Soderbergh's Ocean's Eleven are revered for their trickery, The Sting remains the definitive con artist comedy: as irresistible and ingenious as the scheme that hooks in Doyle.
User score
Universal Acclaim
90% Positive
103 Ratings
7% Mixed
8 Ratings
3% Negative
3 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Sep 18, 2025
10
chriss17eu
not for nothing, it won 7 academy awards. the opening credits, conceived with admirable visual virtuosity, set the tone from the very beginning for a work that unfolds one of the most iconic pieces of music in history: 'the entertainer'. it is no surprise that this score earned marvin hamlisch an oscar, as it integrates with such energy and precision that it enhances every moment. the sound design, vibrant and thrilling, acts as a narrative engine guiding the viewer with confidence. visually, 'the sting' is a fascinating spectacle. its composition of shots, careful framing, and aesthetic design achieve a magic rarely seen on the big screen. the direction, flawless, constructs atmospheres of tension and lightness with admirable fluidity. the famous poker sequence, even for those unfamiliar with the game, stands as one of the most tense and intense in modern cinema. the performances shine on their own, with robert redford in a state of grace devouring every scene he appears in. the chemistry between the characters, perfectly written, gives the story a narrative solidity that is hard to match. moments of genuine emotion intertwine with passages of great dramatic intensity, forming an exemplary balance. the ending, executed with admirable precision, reinforces the feeling of witnessing a major work. the mise-en-scène, carefully crafted down to the last detail, highlights the mastery of direction that leaves nothing to chance. in short, 'the sting' is an outstanding cinematic exercise, a demonstration of how film can be both thrilling entertainment and art at its highest level. it is no coincidence that in 1974 it won 7 academy awards, including best picture of the year, cementing itself forever as an essential classic of the seventh art. spanish: no por nada ganó 7 óscar. los créditos iniciales, concebidos con un virtuosismo visual admirable, marcan desde el comienzo el tono de una obra que despliega una de las canciones más icónicas de la historia: 'the entertainer'. no sorprende que esta partitura le valiera el óscar a marvin hamlisch, pues se integra con tal energía y precisión que potencia cada instante. la ambientación sonora, vibrante y trepidante, actúa como un motor narrativo que guía al espectador con firmeza. visualmente, 'the sting' es un espectáculo fascinante. su composición de planos, el cuidado en los encuadres y el diseño estético alcanzan una magia pocas veces lograda en la gran pantalla. la dirección, impecable, construye atmósferas de tensión y de ligereza con una fluidez admirable. la célebre secuencia de póker, aun para quienes desconocen el juego, se erige como una de las más tensas e intensas del cine moderno. las interpretaciones brillan con luz propia, con un robert redford en estado de gracia que devora cada escena en la que aparece. la química entre los personajes, perfectamente escritos, dota al relato de una solidez narrativa difícil de igualar. momentos de emoción genuina se entrelazan con pasajes de gran intensidad dramática, conformando un equilibrio ejemplar. el desenlace, ejecutado con una precisión admirable, refuerza la sensación de estar ante una obra mayor. la puesta en escena, cuidada hasta el último detalle, subraya la maestría de una dirección que no deja resquicio al azar. en definitiva, 'the sting' es un ejercicio cinematográfico sobresaliente, una muestra de cómo el cine puede ser, a la vez, entretenimiento vibrante y arte en su máxima expresión. no es casualidad que en 1974 conquistara 7 premios óscar, incluido el de mejor película del año, consolidándose para siempre como un clásico imprescindible del séptimo arte.
Feb 27, 2024
10
stett
I just love this film, everything just fals beautifully in place in the movie; George Roy Hill's assured direction, the legendary duo of Newman and Redford (accompanied by an wonderful ensemble cast), Marvin Hamlisch's great adaptation of Scott Joplin's ragdoll music, the wonderful script by David S. Ward and its breezy pace. It's an extremely well made and entertaining film that never forget its sense of fun. This is in my top three favorite films of all time and I can't recommend it enough :-)
90
IGN
Redford offers just the right amounts of arrogance and innocence to make Hooker a believable hustler but half-hearted scoundrel.
88
ReelViews
The Sting represents one of the most popular, widely-loved films to win Best Picture in the last half-century and an example of grand entertainment.
70
New York Daily News
But the look of a movie is not as important as how it feels. The Sting feels like a cold shower. One dashes into it primarily because of its superior cast.
60
Village Voice
The plot has many twists, few surprises, and one gaping hole, which becomes apparent only after you walk out of the theater and have a chance to think. But pure popcorn like this is hardly worthy of serious analysis...Fortunately, the stars have not lost their charm and authority.
40
Time
The Sting was not made to be taken seriously, but many people may find it difficult even to enjoy casually. It lacks the elements that could have given it true drive. [31 Dec 1973, p.50]
See All 17 Critic Reviews
Dec 31, 2022
10
alejandro970
The saying goes: a thief who steals a thief has 100 years of forgiveness. A '70s classic in its own right that cleverly mixes comedy with a crime story. What gives it more flavor with the performances of Robert Redford and Paul Newman, and the iconic musician Marvin Hamlich. It is not over seeing it now that it is 50 years old.
Mar 16, 2017
10
MarcDoyle
Absolutely one of my all-time favorites. The acting, the music, the dialogue: "Do you want a percentage or flat rate? Who's the mark? Doyle Lannigan... Flat Rate...."
Feb 11, 2026
9
royalguy07
Sometimes that **** is just nice and that's all there is to say about it...
Jul 3, 2018
6
amheretojudge
a viscous bite that spreads like fire in a forest.. The Sting 3 Out Of 5 The Sting is a heist thriller about two con artists whose plan to take down the impossible might just be possible. The scrutiny in here isn't as convoluted or glorifying as the makers think but is undeniably impressive and breezy to encounter which comes with cons too, like the characters never seems to be in trouble and has a way out of every calculated conflicts; primary reason why audience feels disconnected with the viewers. It is short on technical aspects like sound department, cinematography and editing although has amazing costume design and background score in its favor. The writing is weak yet gripping with varied tactics of heists that helps keep the audience engaged in it. The screenplay by David S. Ward pitches an impactful heist tale that is unforgettable in its own way. George Roy Hill; the director, has done a marvelous job on executing the script which could have easily come off as a hoax. The performance is decently acted out by Paul Newman and Robert Redford in their parallel roles and Robert Shaw in a supporting role. The Sting has a viscous bite that spreads like fire in a forest for despite of being loosely written it certifiably makes it entertaining.
Feb 15, 2021
4
Paul_Cawston
The Sting is the equivalent of Windows 95, foundational and necessary for subsequent follow ups but unless you have nostalgia for it, or just really wanna play the original solitaire, there's no reason to go back to it. The Sting is a heist movie, where several con men try to con the man who's never been conned. Con-versely I hope you haven’t seen Oceans 11 because if you have then congratulations you've seen The Sting. Oceans 11 achieves everything that The Sting sets out to do in a more concise, well edited manner. The only thing The Sting has on Oceans 11 is it's old retro style charm, title cards appear after each act like older films, which is an odd tradition thinking about it. To anyone who claims that modern attention spans are low, just know that moves used to have breaks in them. Other than the scheduled potty breaks, the movie also utilizes a traditional, minimal editing style throughout the movie. Simple wipes are used everywhere, horizontal wipes, vertical wipes even some unique shapes that should never be used outside ****. Judging by my review score you can tell that I am personally not a fan of this older style of filmmaking. My favorite directors consist of Edgar Wright and Steven Kubrick, directors that heavily utilize distinct and direct cuts creating a great sense of flow and cohesion with every film they make, older editing styles just don't have that. There's a good movie just below the surface of The Sting, it's just covered in a thick layer of dust caused by age. With some polish, modern editing software and brighter color palette The Sting could be a good movie. Just spit balling ideas, set it in Las Vegas, expand the cast a little bit, focus more on the plan and less so the execution and you have an amazing film. Wonder if any film like that exists...
See All 15 User Reviews
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  • Zanuck/Brown Productions
  • Universal Pictures
Dec 25, 1973
2 h 9 m
PG
Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release)
Academy Awards, USA
• 7 Wins & 10 Nominations
Golden Globes, USA
• 1 Nomination
National Board of Review, USA
• 2 Wins & 2 Nominations
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