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The Pick-up Artist

Critic Reviews

48
Metascore
Mixed or Average
positive
4(27%)
mixed
8(53%)
negative
3(20%)
Showing 15 Critic Reviews
80
Newsweek
The first hour of Toback's movie bounces and sparkles like a stone skipping on water. Downey is such an ingenuous con man it's impossible not to smile at his chutzpah, and Ringwald reveals a grave, grown-up solidity we haven't seen before. [28 Sept 1987, p.77]
75
Chicago Tribune
The charm of the film (and it does have an effective degree) ultimately seems as synthetic as Jack's. Perhaps the real pickup artist of the title is Toback himself, hiding behind a winning smile as he attempts, for the first time in his career, to hustle the audience.
70
The New Yorker
It's bright and blithe, like the sound of the 60s girl groups on the track; the flimsy plot hardly matters.
63
Miami Herald
The movie is 75 minutes of easy entertainment, important mainly as the launching pad for Downey, whose glibness, good looks and quickness of spirit mark him as a man who may pick up as many accolades as ladies in a promising future career. [19 Sept 1987, p.B5]
60
Washington Post
Anyone want to watch some guy pick up women? Especially a fat-lipped, insincere kid who says "Did anyone ever tell you you have the body of a Botticelli and the face of a Dégas?" Me neither. But luckily, there's a little more than that to James Toback's The Pickup Artist.
60
The New York Times
The film roams from the Upper West Side to Coney Island to Atlantic City, maintaining a lighthearted style that doesn't quite match the hints of obsessiveness in Mr. Toback's screenplay.
50
Washington Post
The movie's ending is overly sentimental -- something I never thought I'd see in a Toback movie. What it delivers is a message about commitment -- and it's pretty much of a crock. You don't feel that Toback's heart is in it either, especially as an explanation for Jack's behavior. It's too pat a resolution.
50
TV Guide Magazine
The film is carried by Downey, appearing in his first starring role. Ringwald, while performing adequately, just doesn't seem right for the part. Toback has devised an interesting premise that draws parallels between risking one's heart and one's wallet, but the picture itself risks little.
50
Variety
As long as this film sticks to what its title suggests, The Pick-Up Artist is a tolerably amusing comedy. But as soon as the compulsive skirt-chaser gets hooked on one girl, James Toback's long-gestating portrait of a one-track mind becomes bogged down in unconvincing plot mechanics.
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