
Critic Reviews
51
Metascore
Mixed or Average
positive
2(15%)
mixed
11(85%)
negative
0(0%)
Showing 13 Critic Reviews
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Metascore
Apr 12, 2019
80
The Man Who Killed Hitler and Then the Bigfoot is a thoroughly enjoyable and sneakily touching oddity which is entirely worthy of a big screen outing.
Feb 6, 2019
78
The Man Who Killed Hitler and Then The Bigfoot lays all its cards on the table up front, but then still manages to never quite be what you expect it to be. It juggles a lot of ostensibly ridiculous ideas, but they all land just right because the film's deliciously dour tone, that sort of snuggles everything within the warm embrace of Sam Elliott's ruggedness and regret.
Feb 26, 2019
60
The Man Who Killed Hitler and then the Bigfoot isn’t the loony chuckle-fest that many might want and it’s not as affecting a character piece as Krzykowski might want, but it’s a crackpot showcase for a performer who deserves one or two, crackpot or otherwise.
Apr 15, 2019
60
The Man Who Killed Hitler And Then The Bigfoot is a strange but enjoyable mishmash of genres and ideas held together by the gravitas and class of Sam Elliott.
Feb 13, 2019
59
The Man Who Killed Hitler and Then the Bigfoot is an exquisitely boring movie, a promise of high-concept adventure that only delivers a stiflingly melancholy ode to the unknown soldier.
Feb 5, 2019
58
The gambit doesn’t really work — fans of "The Notebook" and people who own "Sorority Babes In The Slimeball Bowl-O-Rama" will both come away disappointed — but it’s hard not to respect Krzykowski’s attempt to do something different.
Feb 7, 2019
58
It’s a film full of interesting ideas, all wrapped up in messy, even shoddy methods, and an undeniably sincere and rather astonishing performance from Sam Elliott, who doesn’t seem to give a hoot whether he’s hunting Bugs Bunny or the Oscar gold–he’s just going to go for it, dammit.
Jan 31, 2019
50
The Man Who Killed Hitler and Then the Bigfoot is a sprawling, meandering drama that doesn't quite deliver on its ambitious promise (and intriguing title).
Feb 7, 2019
50
Krzykowski’s pacing and tone is off as he tries to meld his comic book instincts – visually atmospheric if susceptible to arch cheesiness — with the requirements of a small-scale drama.