Critic Reviews

Clinically rigorous and hugely entertaining, The Man from Mo’Wax is a forthright examination of failure and disappointment. There’s not many music documentaries that can touch it.

While it’s obvious that fans of Lavelle and his many creative ventures will get the most out of The Man From Mo’Wax, this remains a fascinating insight into both the hubris and vulnerability of the music industry, which never shies away from casting it’s subject matter in a sometimes unfavourable light.

Weaving together a dizzying array of archival material and previously unseen personal home movies, director Matthew Jones never quite cracks the man behind the music, but he nonetheless offers an appropriately hyperactive snapshot of a colorful era.

There are memorable cameos from collaborators (Josh Homme take a bow) and a triumphant coda, but most of all, the rather melancholy sense of a visionary struggling to stay relevant.

Ego, money, drugs: Lavelle’s story has the makings of an entertaining account of the music business. But this film feels too much like a promo for a comeback attempt.