Critic Reviews

Kuosmanen’s unassuming yet immaculate command of tone and form here would impress at any stage of his career, but it’s entirely remarkable in a first feature.

The movie is a small marvel of impeccable craftsmanship.

Low-key performances by the conflicted Lahti and the radiant Airola prove the final knockout hit, with The Happiest Day in the Life of Olli Mäki at its best when it’s lingering upon the nuanced expressions on their faces, or highlighting the way their portrayals so convincingly convey their characters’ affections.

The Happiest Day in the Life of Olli Maki is a lovely piece of work, a sweet, warmly observed tale overlaid with just the right amount of Scandinavian melancholy, a combination that perfectly suits its quietly engaging protagonist.

It’s more of a gently comic character sketch in boxing trunks.

A unique and beautiful boxing movie.

It’s an authentic celebration of the timeless delights of country bike rides and skimming stones. Absolutely lovely.

Olli Mäki isn't a knockout, but it does go the distance.

The Happiest Day in the Life of Olli Maki deepens quietly. This is Mr. Kuosmanen’s first feature (he has directed a few shorts), and if he had any rookie jitters you wouldn’t know it.

It is a film of immense humanity and charm: the very best kind of date movie.