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SummaryGeorgie (Lola Campbell), a resourceful 12-year-old girl, secretly lives alone in her flat in a working class suburb of London following the death of her mother. She makes money stealing bikes with her best friend Ali (Alin Uzun) and keeps the social workers off her back by pretending to live with an uncle. Out of nowhere, her estranged father Jas... Read More

Directed By:Charlotte Regan

Written By:Charlotte Regan

Scrapper

Metascore
Generally Favorable
74
User score
Generally Favorable
7.2
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Metascore
Generally Favorable
84% Positive
21 Reviews
12% Mixed
3 Reviews
4% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 24, 2023
90
The New York Times
Scrapper is tender without falling into sappiness.
Jan 28, 2023
83
The Playlist
Watching Georgie embrace what’s making her vulnerable and realizing that doesn’t make her powerless is moving, and seeing this father and daughter connect is sweet. She, of course, will never let go of her fast-talking, hustling nature, but she now doesn’t have to do it alone.
User score
Generally Favorable
76% Positive
19 Ratings
24% Mixed
6 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 27, 2023
9
Maverick_2023
Lovely film. Great acting all round. So natural. With lots of humour. Lola Campbell deserves special mention.
Aug 8, 2025
8
alanpotter17
Tá ok, isso aqui me emocionou muito, a filha irrita no começo, mas depois que o adulto passa a dividir o espaço com as crianças, tudo melhora. Há um clima meio tenso, pois não sabemos as reais intenções dos envolvidos, e o roteiro consegue passar a naturalidade necessária, sem apelar pra dramas forçados, de modo que o sentimento ruim de desconfiança vai presenciando a humanidade do elenco, e o modocomo lidam com problemas mesmo sendo imperfeitos. Ficou bem bonitinho o saldo.
Aug 25, 2023
80
Wall Street Journal
As directed with a wonderful combination of whimsy, deadpan humor and childlike exhilaration by Ms. Regan, the film is impish and full of bounce.
Aug 24, 2023
80
Little White Lies
While Scrapper might not have the most original conceit, it’s a sweet, heartfelt take on the difficulty of father-daughter bonding, and how to be soft when you’ve tried to make yourself hard to avoid getting hurt.
Jan 28, 2023
70
Variety
Regan’s debut rehashes a host of familiar elements from assorted kitchen-sink dramas and dysfunctional parent-child stories, painting them colorfully enough that audiences won’t mind the odd bit of rust.
Jan 28, 2023
61
Paste Magazine
Scrapper isn’t funny or sweet enough to overcome some of its more cutesy leanings, and it’s not inventive enough to stand out from its peers covering the same kind of burgeoning parent-child relationship. But it hangs together, as brief and unsatisfying as its narrative may be, which proves Regan capable of pulling off a feature, even if we’ll need to wait for a second film to fully see her more off-the-wall ideas flourish.
Aug 21, 2023
25
Slant Magazine
Charlotte Regan’s film is a baffling clash of two incompatible visions.
See All 25 Critic Reviews
Jan 26, 2026
7
famfacat
[SPOILER ALERT: This review contains spoilers.]
Nov 29, 2024
7
Mauro_Lanari
(Mauro Lanari) If it isn't a simple remake of "Paper Moon" from half a century later, the credit goes to this almost thirty-year-old female debutant director and writer. "She comes from music videos": so what? If that always guaranteed such skill, the number of masterpieces from the birth of MTV onwards would be uncountable. "Scrapper" is "packed full of ideas" (Wendy Ide) because Charlotte Regan reminds us what a true indie film is and not a mainstream surrogate. There's nothing predictable in her magical realism: every shot, dialogue, and scene is an unexpectedly disconcerting surprise, from the colorful urban outskirts to the imaginative constructions to bear the mourning, from the working-class portrayed avoiding Loachian exasperations to the constant irony that blunts any dramatic hint. Wide-open ending: the two protagonists humbly admit their mutual flaws ("I'm going to mess up a lot, though." "So will I." "Okay.") and accept the challenge of coexistence without certainties of success. The international awards and accolades are well-deserved.
Oct 19, 2023
7
MovieReviewMave
IN A NUTSHELL: This is the debut for both the director, Charlotte Regan, and her leading young lady, Lola Campbell. They both did a great job! Already, the film has been nominated for various awards and won Grand Jury Prize at the Sundance Film Festival! THINGS I LIKED: Lola Campbell is brilliant, as the British like to say. She’s a true natural. One thing that’s interesting about her character is that she wears a hearing aid, yet it’s never mentioned in the story. It’s a subtle way of showing that handicaps don’t have to define us. I searched online but couldn’t verify whether or not Lola wears a hearing aid in real life or if it was just part of the character’s life. Cast members will be mostly unfamiliar to American viewers: Lola Campbell, Alin Uzun, Ambreen Razia, Oliva Brady, and Aylin Tezel. The face you’ll probably recognize is that of Harris ****, whom you might recognize from Triangle of Sadness or See How They Run The magic of the storytelling is the chemistry between father and daughter who both struggle in various ways and discover the power of family, even if it is dysfunctional. The humor is subtle and quirky. The color palette is bright, despite the characters’ gloomy financial prospects. It makes the movie look almost like a modern-day fairy tale. Occasionally, there are random clips inserted inside scenes. Some have compared that style to that of popular Wes Anderson. THINGS I DIDN’T LIKE: So many big, icky spiders in the movie! EEK! Some viewers may find it difficult to understand the thick accents. The plot seems a bit unrealistic. TIPS FOR PARENTS: A young girl lives alone after her single mother dies A girl steals bikes to earn money Some profanity A girl hits another girl and knocks her down on the ground
See All 5 User Reviews
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  • DMC Film
  • BBC Film
  • British Film Institute (BFI)
  • Great Point Media
Aug 25, 2023
1 h 24 m
British Independent Film Awards
• 1 Win & 14 Nominations
Little Venice Film Festival
• 2 Wins & 3 Nominations
International Film Festival for Children and Young Audience SCHLiNGEL
• 2 Wins & 2 Nominations
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