SummaryAngela (Maia Mitchell) and Jessie (Camila Morrone) dream of escaping their waitressing jobs at a low-rent Texas diner, even if it's only to Galveston. Taking place over just a few days, the film follows their hilarious and unpredictable misadventures on the streets of suburban Dallas as they attempt increasingly madcap and wild schemes to try and... Read More
Directed By:Augustine Frizzell
Written By:Augustine Frizzell
Never Goin' Back
Metascore
Generally Favorable
62
User score
Generally Favorable
6.7
My Score
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Metascore
Generally Favorable
68% Positive
13 Reviews
13 Reviews
32% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Aug 2, 2018
80
Watching Never Goin’ Back, it’s easy to see the frames of reference Frizzell pulled from, besides her own teenage escapades. But the film also defies easy categorization; it’s not consistently funny enough to be a comedy, nor lively enough to be a drama.
Aug 2, 2018
75
Anarchic and daring, Never Goin’ Back is a tale of adolescent female friendship that is somehow ballsier than your standard dude-driven buddy comedy. Frizzell’s film is as fearless as her heroines, and it refuses to judge them for their bad behavior.
Aug 2, 2018
70
By rights, Never Goin’ Back should be a chore to sit through. The jokes are dated, the behavior tasteless and the setups tired. Yet the movie has a ramshackle charm that’s due entirely to its vivacious leads, whose mutual devotion and easy, unlabeled sexuality feels endearingly innocent.
Aug 1, 2018
68
Never Goin’ Back, which Frizzell has admitted is in ways an honest, personal reckoning with incidents in her own fumbling adolescence, has something many comedies simply fail to care about: a spark-filled joie de vivre about the stupidity of youth that lifts it above many more cynically crass (and typically male) examples of the genre.
Aug 10, 2018
50
It’s supposed to be a screwball comedy but someone forgot to include the laughs.
May 11, 2018
40
This is one of those films that, if shown overseas, could potentially make people think that the U.S. is going down the tubes even faster than imagined. Everyone in it — adolescents and grown-ups, too — is beyond stupid and content to remain that way.
User score
Generally Favorable
50% Positive
6 Ratings
6 Ratings
42% Mixed
5 Ratings
5 Ratings
8% Negative
1 Rating
1 Rating
Dec 9, 2018
8
I’m sure you have those friends. The ones who are smart, funny, clever, and have some sort of potential. But they keep making boneheaded decisions. “I need to do this… but hrm, party? yeah I’ll party.” You shake you head as they get out of out issue, and immedialy get involved ins omething else. Those friends are Jessie and Angela, the two leads from indie-powerhouse-distributor A24. The pair, played with such natural ease you’d think the camera is just following their lives by Camila Morrone and Maia Mitchell respectively, are 16 year old high-school drop out diner waitresses in a white-trash Texas town. They’ve just spent their rent money for a vacation to Galveston, and are set to work five doubles to make it up. Too bad for them, Jessie’s brother is a wanna be drug dealer and his mistakes get the girls thrown in jail for two days when he police come their house (all shared, with another roommate Brandon). From there they must make their way back to work to hold on to their jobs, and find a way to have the rent as well since the brother’s stupid plans have lost him his part too. Morrone and Mitchell share the strong chemistry of two life-long best friends (they also make out while high, but that seems to be more of a fun thing for them to do rather than a sexual relationship). They have a wonderful sense of humor, play off each other and other characters with ease. They are witty and sharp, with wonderfully filthy mouths and a crude nature. (The obscenity laced tirades are legend) Too bad for them, they also will drop plans to get drunk and/or high. They are the type of friends that are a little too similar, too co-dependent, without someone else to say “okay, let’s think about this.” Of course, this makes good fun and great times. And trouble. But they’re 16. They’ll bounce back. But one can’t help but see without that clear head, they’ll live this life until they’re burnt out husks at 40. Perhaps I’m being too negative. The 16 year old versions of them are hilarious and fun to watch, especially as they keep digging their own holes to get out of. And it is hilarious. Never Goin’ Back is a comedy through and through, even with the underlying tragic nature of the world. Essentially, it’s a “one wild night” type movie, albeit most of it takes place during the day. Absurdity, situations, reoccurring characters, hyjinx insure. I’ll give it this – I’m not a fan of poop-humor normally. But Never Goin’ Back has one that works, and works well. No worries, you don’t see any fecal matter, although other bodily liquids are present in the film. In a few ways, I’m reminded of A24’s Oscar-snubbed best movie of last year, The Florida Project. Not that they share much in relation to plot, but in feel. Both feel like a camera is dropped into the lives of these characters. Both feel incredibly natural. Perhaps both deal with cycles of poverty, low-level crime, and the viewer wants everyone to break free. But it’s a hard world to break free from without the push from another. Never Goin’ Back does follow more of a standard narrative – particularly in having a perhaps just too cinema climax but I hold to this connection. Never Goin’ Back is wildly irrelevant, hilarious, with two incredible young leads with amazing chemistry. I give it an: A-
Production Company:
- Sailor Bear
- Mama Bear Studios
- Ten to the Six Pictures
- Zero Trans Fat Productions
Release Date:Aug 3, 2018
Duration:1 h 25 m
Rating:R
Awards
Americana Film Fest
• 1 Win & 2 Nominations
Palm Springs International Film Festival
• 1 Win & 1 Nomination
SXSW Film Festival
• 1 Nomination




























