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SummaryJérémie returns to his hometown for the funeral of his former boss, the village baker. He decides to stay for a few days with Martine, the man’s widow. A mysterious disappearance, a threatening neighbor and a priest with strange intentions make Jérémie’s short stay in the village take an unexpected turn.

Directed By:Alain Guiraudie

Written By:Alain Guiraudie

Misericordia

Metascore
must-see
83
User score
Generally Favorable
6.7
My Score
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Metascore
96% Positive
24 Reviews
4% Mixed
1 Review
0% Negative
0 Reviews
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Mar 26, 2025
100
The Globe and Mail (Toronto)
With Misericordia, Guiraudie deftly strikes the balance between the playfully sacrilegious and the sociopathic, rounded out by a seductively bizarre cast of dwellers and clusters of puckered, corpse-fed mushrooms.
Apr 1, 2025
90
New York Magazine (Vulture)
Alain Guiraudie’s Misericordia is an existential drama masquerading as a comedy masquerading as a thriller.
User score
Generally Favorable
59% Positive
13 Ratings
27% Mixed
6 Ratings
14% Negative
3 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 1, 2025
10
MarcoAFT
Perfeito. Lindo. Incrível. Belo. Extremamente fascinante. Uma das melhores obras já feitas.
Jun 28, 2025
7
alanpotter17
A entrega do elenco e tendo que trabalhar com um número de personagens reduzido faz valer a experiência. Mas os machos poderiam ter se pegado lá na fleresta que ninguém ia reclamar, tava um cima tão propício... aí deu nisso... e o coito interrompido foi logo duas vezes, com um final que andou em círculos. O bom é que o filme se aproveita dessa tensão sexual pra nos brindar com mais de um nu frontal. So delicious.
Apr 11, 2025
88
Washington Post
Even if such murky doings aren’t your cup of absinthe, the skill with which Guiraudie weaves his web is mesmerizing.
Mar 26, 2025
80
The Irish Times
The director of Stranger by the Lake returns to the deadpan, sexually unstable working-class environs that have shaped many of his previous films with this pleasingly confounding tale of displaced characters and desires.
May 27, 2024
80
Screen Daily
This might suggest that Misericordia is ultimately a film with a message, and a more solemn one than we’re used to with Guiraudie. But any apparent clarity should be taken with a pinch of salt, the film’s meanings shifting as constantly as the erotic drives between the various male (and occasionally female) characters.
Sep 10, 2024
75
Slant Magazine
Misericordia finds Alain Guiraudie revisiting old standbys under a relatively conventional set of aesthetic strategies. Fortunately, the ideas roiling under the former wildman’s newly placid surfaces are as potent as ever.
Apr 10, 2025
50
Austin Chronicle
Misericordia feels like a big metaphysical shrug, sluggish to the point of lethargy.
See All 25 Critic Reviews
Jun 21, 2025
3
katezoe
Expectations by great reviews dashed. I wish it was clever. Not original. I was hoping for his fascinating and dangerous "Stranger by the Lake."
Jun 17, 2025
3
UncleWillard
It's a miss for me. Nothing worked for me. I kept waiting for something to explain this man's strange behavior and it never appeared. It's just an odd, not mystery, not character study, barely a movie at all. I know, people will say I'm just dumb and didn't get it, but I would argue that I routinely watch challenging films. In fact, I enjoy them very much when they actually have something to say. This does not speak to me in any way. Maybe if I were French it would?
Nov 30, 2025
2
cassandra123
Perhaps because I just watched two similarly bleak crime movies – no sound track, lots of empty landscape – one set in an Austrian village, the other a more standard mystery set in a small Australian town, it was overkill for me, pun intended. Compared to to the films by other great French directors like Chabrol, Jean-Pierre Melville, Eric Rohmer (who also makes movies where seemingly nothing happens yet they are engaging), Claire Denis, watching this was like chewing on a wet rag. I want to make allowances, I watched it on a computer screen so perhaps the visual impact of the forest landscape, the rain, just didn't come through, but the whole death/sex connection has been treated in film so many times and so much better by other directors, that this movie just felt flat. I had no interest in the characters, almost all of whom were creeps, it was unbelievably slow for a story that could have been told in 10 minutes or less. This is yet another director who makes movies about the rural life or working class people, which begs the question why when these directors were never or are no longer working class or living in small town, these movies always become condescending, use the population as a base for their jokes enjoyed by middle class urban dwellers, and feel unauthentic. Who is the audience for this movie is a key question to ask, which gives you insight into the director's mind and intent of making the movie and if it's a particular population or group that provides entertainment for another population, then this is for me a suspicious motive right then and there.
See All 5 User Reviews
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  • CG Cinéma
  • Scala Films
  • Arte France Cinéma
  • Andergraun Films
  • Rosa Filmes
  • Les Films du Losange
  • Arte France
  • Orange Cinéma Séries (OCS)
  • Cinécap 7
  • Cinéaxe 5
  • Centre national du cinéma et de l'image animée (CNC)
  • La Région Occitanie
  • Département de l'Aveyron
  • Institut Català de les Empreses Culturals (ICEC)
  • Instituto do Cinema e do Audiovisual (ICA)
  • Cinémage 18
  • Sofica La Banque Postale Image 17
Mar 21, 2025
1 h 42 m
Some confessions come with a body count.
César Awards, France
• 8 Nominations
Lumiere Awards, France
• 5 Nominations
International Cinephile Society Awards
• 4 Nominations
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