Critic Reviews

In the avalanche of junk about aliens, alternate universes, digital effects and comic-book superheroes, it is a rare treat to see a sweet, low-budget film about real people that is as ingratiating as Lebanon, Pa.

Hickernell's film aesthetic is straightforward, narrative-driven.

The turns the film takes toward the end do offer a few surprises, particularly in the form of redemption for the waffling hero-not in running after the ones he loves, but in standing by them when they need him.

If Lebanon, Pa. is a tidy little indie with steady acting, it is too politically self-aware to transcend its well-mannered sense of fairness. But the performances by Ms. Kitson and Ms. Hurt give it spritzes of energy.

Lebanon, Pa. is a few strong moments of storytelling lost in a sea of indie cliche.

The culture wars may be simmering throughout writer-director Ben Hickernell's script-the Save the Whales and pro-choice bumper stickers on Will's VW invite a brutal barfly beatdown-but the real casualties are momentum and narrative cohesion.

Lebanon, Pa. begins as a tale about male, middle-aged self-discovery, but soon becomes something quite different: a clear-eyed if crassly manipulative take on the culture wars.

This mild drama plays out like one of those dull message movies that TV networks used to crank out almost weekly, but the earnestness is at times almost appealingly old-fashioned.