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SummaryFifteen-year-old Brandon longs for a pair of the freshest sneakers that money can buy; assuming that merely having them on his feet will help him escape the reality of being poor, neglected by the opposite sex and picked on by everyone -- even his best friends. Working hard to get them, he soon finds that the titular shoes have instead made him a... Read More

Kicks

Metascore
Generally Favorable
69
User score
Generally Favorable
6.9
My Score
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Metascore
Generally Favorable
64% Positive
9 Reviews
29% Mixed
4 Reviews
7% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Sep 10, 2016
100
The Playlist
Tipping’s bold and meditative drama with its reflective moods and streetwise grime has delivered one of the best feature-length debuts of 2016 and one of the best films of the year, period.
Sep 8, 2016
80
The New York Times
The characters have enough dimension to avoid appearing to be symbols of a social tragedy, and the movie’s relative gentleness makes the harsher realities of Brandon’s world all the more distressing.
User score
Generally Favorable
71% Positive
10 Ratings
29% Mixed
4 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Feb 9, 2017
8
NightReviews
Special Notes:*(We are going to do this review a little bit different this time around. Inspired by the motion picture being reviewed, In a heading format, whatever heading is bolded, make sure you listen to suggested song, during each segment of this review. Read, listen, and enjoy!)* INTRO-J. Cole (Album: 2014 Forest Hills Dr.) “Sometimes I wish I had a spaceship. Just hangout in space where its quiet; and no one could **** with me.” As the pulsating first frames of Justin Tipping’s feature film debut Kicks begins, we see our main protagonist Brandon (Jahking Guillory) running from some kids in a basketball court in slow motion, during the dead of night. As the veins pop from Brandon’s forehead, the sweat beads drip, and his pearly white teeth are clinch together desperately (in fear of being caught), one can’t help but wonder, what exactly did Brandon do? A young, naive and innocent high schooler who just wants a pair of Jordan One’s Bred (Black and Red), a kid who just wants to be accepted and treated equally as everyone else, and not be picked for his height, size, economic status and old, worn out sneakers, Brandon is tired of running. As the film unfolds, we never really know why Brandon is being chased, as one may quickly observe, there may very well be no good reason as to why he is being chased at all. In Big Bay, Richmond, California, Brandon runs away from everyone and everything. That is until, Brandon makes a fateful choice, which, in the course of two days, shifts his world in heart-achening and consequential ways. Brandon is an obvious target for bullies; his stature is frail, his body is small, his mannerisms are delicate and his look is quite feminine. Yet, Brandon knows that there is still a shred of hope for him amongst his schoolmates, peers and on the street; and thats getting the pair of shoes he wants. As a young boy growing up in Toronto, Canada, the subculture of sneakers could never be as understood as the subculture of sneakers then, evenmoreso, the subculture of sneaker culture now, especially within the modern ghetto’s of the United States. Once you have some worthy ‘kicks’ (slang for shoes or fancy sneakers), it doesn’t matter who you are, where you come from, what your parents do or how you got them. All that matters is that, they’re yours. As we become submerged into Brandon’s world, we are introduced to some of the important people in Brandon’s life; his best friends Rico (Christopher Meyer), a ladies man who has his way with women; and wannabe ladies man Albert (Christopher Jodan-Wallace, son of Notorious B.I.G and Faith Evans) who talks endlessly about his questionable conquests with women. It soon becomes clear that, in the world of high school and gangsters in Big Bay, California, parents and adults are absent in the roles in their children’s lives, and thats usually because of their dedication to their entry-level and minimum wage paying jobs to keep their low-income homes and families afloat. No parents are shown or introduced throughout the course of the film, even within the homes of each of our protagonists. It can only be suggested that Tipping sees the presence of parents as unimportant in the world of adolescents, especially since the streets of Brandon’s hood are run and dominated by the high school bullies and low-level gangsters of the street blocks, which rings even more true during the hours of school. The adolescents in the film, as well as the rawness of these very real situations happening in every slum in America, are the true stars of Kicks. Nikes- Frank Ocean (Album: Blonde) Tipping, who almost simultaneously introduces each and every new character by zooming his camera onto their feet and shoes, does a masterful job of associating shoes with personas. Which makes for an interesting allegory of character, especially in the case of Brandon. Brandon is an only-child, fifteen year old kid navigating through the rough terrain of ghetto America. So after countless rainy days spent on the corner of a busy intersection, combined with all the saved up “emergency” birthday money he has accumulated over the years, as well as the advice of his mother, the day that some hustling street salesmen by the name of Daryl (Mistah F.A.B), with a van full of Nike boxes entices Brandon over to his direction, Brandon is more than hooked. “Your foot game is everything in this world. Let me show you deez. I got something thats gonna be nice for you. Stores don’t even got deez, deez exclusive. You see deez, but deez right here, deez cost more than your life.” As if Daryl was some kind of future reading physic, the subtlety of this statement, couldn’t refer more to Brandon and the journey he is so quickly going to face.
Dec 31, 2016
7
BrianMcCritic
A film about a kid trying to adapt to his rough neighborhood while having a love for a certain shoe. I appreciated the young lead here as he wants to be taken seriously and his dream like sequences are also interesting. An overall good little indie film. B
Sep 22, 2016
75
The Globe and Mail (Toronto)
As the young hero at the centre of the tale, Guillory displays astonishing depth and heart. To summarize: Run, don’t walk.
Jun 10, 2016
70
Variety
An arresting visual experience, Kicks has style to spare, and in fact it probably should have spared a little, as this first-time director sometimes crowds his film with more auteurial flourishes than his rather simple story can support. Nonetheless, this is a debut of undeniable promise, both for its director and its largely unknown cast.
Sep 8, 2016
60
Los Angeles Times
Perhaps the best thing you can say about Kicks is that its strengths and weaknesses make for intriguing bedfellows, like a cautionary fable that’s as much about the hazards of forging an artistic authenticity as it is the pitfalls of a corrosive approach to manhood.
Sep 8, 2016
50
San Francisco Chronicle
It doesn’t really add up, either as a psychological portrait or moral commentary.
Sep 15, 2016
37
Washington Post
Kicks is gritty to the core, and its commitment to verisimilitude is its undoing. All of the characters are selfish, and their sense of loyalty is purely circumstantial.
See All 14 Critic Reviews
Mar 17, 2020
4
Mauro_Lanari
(Mauro Lanari) Bad old news from Fruitvale Station or Wakanda, obviously filmed with a lot of style, but finally scaled down by a little more serious current problems.
See All 3 User Reviews
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  • 2020 Studio
  • Animal Kingdom
  • BGA Productions
  • Bow and Arrow Entertainment
  • Bystorm Films
  • Focus Plus Cinema
  • Hidden Empire Film Group (HEFG)
  • Look Film
  • Marlowe Pictures
  • Mott Street Pictures
  • Northern Lights Films
  • Through Films
  • Unbundled Underground
Sep 9, 2016
1 h 20 m
R
They aren't just shoes.
Tribeca Film Festival
• 1 Win & 2 Nominations
Rome Film Fest
• 1 Win & 1 Nomination
Georgia Film Critics Association (GAFCA)
• 1 Win & 1 Nomination
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