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SummaryRecently released from prison, mild-mannered Carl (Toby Jones) quietly attempts to move on with his life. Just as he embarks on his first date in 15 years, Carl’s fresh start is shattered by the sudden reappearance of his domineering mother (Anne Reid), whose presence awakens within him a deep-seated trauma. What unfolds is a brain-warping puzzle... Read More

Directed By:Rupert Jones

Written By:Rupert Jones

Kaleidoscope

Metascore
52
User score
Generally Favorable
6.8
My Score
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Metascore
13% Positive
1 Review
88% Mixed
7 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Dec 7, 2017
80
The Hollywood Reporter
Director/screenwriter Jones displays an ability to sustain simmering tension that's impressive for someone directing only his second feature film.
Jan 18, 2018
60
Variety
Darkly dainty as this ornate storytelling geometry is, however, it’s hard to remain heavily invested in the outcome through a runtime that, even at a modest 90-plus minutes, feels a tad stretched.
Dec 7, 2017
60
Total Film
Face crumpled, eyes darting, Jones captures the wounded humanity at the core of this psychological thriller. He feels the walls of his flat closing in; we feel the influence of Polanski and Hitchcock.
May 14, 2018
50
Movie Nation
Reid’s toxic smile and Matthews’ working class wantonness work. But in a role no-doubt written for him, Jones downloads his entire arsenal — hurt, shyness, pain, guilt and rage — onto the screen. This is a performance that smacks of desperation and denial, a paranoid loner making it up as he goes along.
Dec 7, 2017
50
Los Angeles Times
Kaleidoscope is brilliantly crafted and performed, but it’s a bit too taken with its own muddling of facts and form to truly hook into.
Dec 7, 2017
50
The New York Times
Or maybe not: Committing completely to Carl’s wobbly perceptions, the filmmakers mire us in a hackneyed swamp of narrative uncertainty.
Dec 7, 2017
40
Village Voice
Jones and Reid are hemmed in by the screenplay’s schematic nature.
See All 8 Critic Reviews
User score
Generally Favorable
50% Positive
3 Ratings
50% Mixed
3 Ratings
0% Negative
0 Ratings
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Jan 2, 2023
4
tiobald
Interesting Idea at first but it falls appart pretty quickly because it's like reading a book where you skip chapters, and come back later. You just know everything which will happen in the final Episode( which seems to be the same for everyone) and the actual heist is so dumb and full of cliche workarounds, it's just boring and just makes 0 sense. You can of course look up a decent order to watch but this removes the purpose of this format and would still result only in a 6/10 for the actors at best
See 1 User Review
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Dec 8, 2017
1 h 40 m
TV-MA
Edinburgh International Film Festival
• 1 Win & 2 Nominations
MOTELx - Festival Internacional de Cinema de Terror de Lisboa
• 1 Nomination
Festival Européen du Film Fantastique de Strasbourg (FEFFS)
• 1 Nomination
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