Inside the Yellow Cocoon Shell

Great movie with a deep and calm storyline. Should be watched if you have the energy to really think about the meaning of certain phrases. Definitely something to watch during 2024! Kristoffer Öhrn

This is not a narrative. It is a long, leisurely look at a man sinking into... something. It is certainly the longest that most of us will look at third world lifestyles. You will feel more at home in Saigon than anyplace else you see here. Perhaps the message is that our busy lifestyles prevent us from truly seeing and feeling everything that's around us. There are so many small details we're missing, and all the time in the world to miss them in. Perhaps this movie is about finding and then letting go of all that.

Finding meaning and purpose in life can be a long and solitary journey, especially if one doesn’t know how or where to look. So it is for a single, lonely thirtysomething seeker (Le Phong Vu) living in Saigon after moving there from his rural mountain village after most of his family emigrates to America. He feels empty and lost as he looks for a suitable path to follow, but nothing turns up, leaving him increasingly adrift and unfulfilled. However, when a family tragedy occurs, he must return home to pay final respects to a deceased loved one with his young, orphaned nephew (Nguyen Thinh) in tow. The journey thus becomes a metaphor for his search, an absorbing meditation on life, love, death, finding oneself and letting go of old ghosts from the past, including an old flame (Nguyen Thi Truc Quynh) who now has a more serious commitment. This odyssey is fittingly depicted cinematically with a series of long tracking shots and deliberately slow pacing to emphasize the extended time it takes to make such a measured, thoughtful and revelatory passage, one beautifully enhanced by positively gorgeous cinematography. It’s the kind of film that gives similarly situated viewers much to think about, particularly given that they’re likely to relate to the circumstances of their on-screen counterpart. However, writer-director Thien An Pham’s debut film – winner of the 2023 Cannes Film Festival’s Golden Camera Award for best premiere feature – could benefit handsomely from some judicious editing, especially in the second half. While this release is definitely a feast for the eyes, some sequences nevertheless go on needlessly long and could have been cut by about 20-30 minutes to reduce its patience-trying three-hour runtime. This shortcoming aside, though, “Inside the Yellow Cocoon Shell” gives audiences a revealing look at the work **** new talent with tremendous potential, one who successfully brings both beauty and inspiration to an insightful finished product. As trite as it may seem, finding our place in the cosmos rests more with the journey than the destination, as the protagonist discovers for himself, a realization many of us can no doubt relate to.

[SPOILER ALERT: This review contains spoilers.]

I don't understand the meaning of this film. The only interesting aspect was the scenes throughout Vietnam. The subtitles sometimes displayed too quickly, making it challenging to fully understand what is going on. I'm not sure what all the hype was about. The ending was disappointing and confusing.